| In this article, we firstly take the phenomenon of mass musical culture"Jiechang"as breakthrough point and subject investigated, and then discussed the naissance and development cause of it. By analysing the characteristics of the artistic form of ?Jiechang? and the basal and leading effects of Zhao?s culture to it, we conclude that this artistic form have an important status in the mass cultures of Handan region and point out that which have culturalvalues and practical significances for the current mass social life and aesthetics. Which offer us a positive apocalypse to analyse the"Jiechang"culture of the whole social in many ways.This dissertation is divided into three parts. In the chapter one, we compare the artistic form of ?Jiechang? with ?red song? firstly, and then come up with the relevant research methods on the base of the theories and studies about the artistic form of ?Jiechang? of Handan region expressed by the music world and other worlds. We mainly analyse the artistic form of ?Jiechang? of Handan region using the method of musicology in the next chapter. We firstly study the history and status quo of ?Jiechang? in this part, and then study the ontology about the organiger, the participator, the opern, the pattern of sing, and the relevant performance. In the third chapter, we show some viewpoints in cultural stratum on the base of the practical significance of the theory results.In the last part, we show the expectation of the artistic form of ?Jiechang? on the study about the status quo of it. In this article, methodology and quality view of ethnomusicology were used to study the style and feature of the artistic form of ?Jiechang? from the characters of it. Therefore, by summarizing the styles of the artistic form of ?Jiechang? through discussing the history, the culture background, and the promotion effect of it, we conclude that which would develop healthily and continuously in the right direction only supported by the professionals and the government.
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