The Analysis Of Liu Heng's Creation

Liu heng is a First- line writer who is famous in both novel creation and the film and television creation in Modern literary word of China. So far, researchs on Liu heng's creation emphasized on the field of fiction,while researchs and papers on his film industry are very few. The author considers Liu Heng's film and television creation and his novel creation come down in one continuous line, as an inalienable whole; The film and television creation is a supplement to the novel creation, and the novel creation promotes the film and television creation, both complements each other.This article attempts to explain the transformation of human's survival consciousness appeared in Liu Heng's work through the whole research to Liu heng's creation . This article carries on a systematic analysis to Liu Heng's creation change. The first chapter elaborates Liu Heng's novel creation at his beginning time in Literary World. It was a time when Great Cultural Revolution just ended, the entire social was filled with fervour, the literary world was exceptionally active, critiques on the Great Cultural Revolution and reforming of the society became a mainstream. Although Liu Heng's novel was mainly about love, it was also filled with ideal color. The second chapter elaborates Liu Heng's novel creation from the middle 1980s to the late1980s .At this time Liu Heng abandoned the idealism of the early time, promulgates human's survival from human's instinct demand and Spiritual Dimensio , formed the creation style of solemn desolate and gloomy grim, the novel creation achieved in a peak condition, so he was classified as a representative of the New Realistie Writing. The third chapter describes Liu Heng's novel creations at 1990s.This time Liu Heng was no longer harsh to the reality, he started to seek the survival road to get rid of the life tragedy destiny after experiencing the dreary life . so the creation style became humorous and teases. The fourth chapter generous outlines Liu Heng's film and television creation. Liu Heng was facing a pressure of literature edge ,so he expected to pay attention to life and affect the society by film and television."The literature is my wife and the movie is my concubine"can fully explaine that Liu Heng's first film creature is actually a kind of compromise to the literature ecology change.The literature creation and author's survival condition is closely linked, Liu Heng's creation style changes unceasingly is precisely a result of his mood change. This article supports the traditional idea of judging people and knowing the time, attempting to read the text attentively by utilizing the psychoanalysis method, and forms a whole assurance of Liu Heng's creation through the research on his novel creation and his film and television creation .