Study On The Space Form Of Modern Tea Room

Along with the change of the times and accelerated development of communication technology, the society has been inundated with various socializing information. As a result, people are forced to bring pressure over interpersonal relationship to themselves and others, thus feeling fickle in inner heat. However, the psychologist realizes that there are numerous reasons why modern people feel fickle in inner heart. Due to the expedited pace of work, people lack passion and become sluggish and confused. Due to the swift development of socializing information, people lack genuine spiritual and emotion communications. The entertainment life looks colorful superficially. It indeed brings about sense of fickleness to people and cannot fill in the great blank in inner heart. Such fickleness is just for people’s lack of sense of belonging in inner heart, namely emotion connection. Therefore, modern people begin yearning for a tranquil, comfortable and peaceful soul harbor. Hence, the tea house gradually appears in modern people’s life. It is of grace and tranquility and also free of hilariousness. For this regard, I will study the spatial form of modern team house space by seizing the opportunity of writing thesis and then deeply analyze and summarize the expressions of sense of belonging in space of modern team house and analyze the design methods and thoughts from many aspects such as: function, culture, technique, aesthetic appreciation so as to discuss the establishing mode of sense of belonging of modern tea house space. So that the useful reference could be provided for designing spatial form of tea house to improve life quality of modern people and create the tranquil soul that modern people lack through spiritual communications.In this paper, the influence factors and express techniques of spatial form creation of modern tea house are discussed based on the emotional association between man and architectural space namely the spatial sense of belonging generated in it so as to further analyze the way of generation of spatial sense of belonging and presentation of modern tea house. This paper is mainly divided into three parts. Part I, namely the overview of thesis, briefly explains related studies and attains the purpose of connecting the following part, and introduces the research purpose and content to lay foundation for in-depth study in the following part by beginning with the summary and study on history and status of studies at home and abroad. Part II overall discusses the research ontology and environment and divide research and discussion of spatial form creation of modern tea house into influence factor and expression technique. Firstly, through analysis of practical and classical case of tea house by objectively beginning with main influence factors of spatial form creation, the questions proposed in the first chapter are concluded and summarized. This first part discusses and analyzes people’s feeling in space and ultimately introduces the close connection between space and color psychology based on the judgment of spatial sense of belonging and by beginning with space, regional environment and spatial scale. Ultimately, when the tea house satisfies spiritual communications, the emotional connection and that between man and space could exist between man and space of tea house. Secondly, Part II studies and analyzes the ideological expression of Zen tea of spatial form of tea house, and interprets which space possesses spiritual connotations of “people’s felling first” by beginning with the orientation problem of space of tea house, and false or true effect of spatial material and light. The so-called “returning to the source is tranquility” is also the tranquility of returning to the source. However, the belonging point just belongs to the spiritual communications and the pure and tranquil soul destination. At the same time, by combining the traditional spiritual idea of Chinese nation manifested in China’s ancient poetries, the cultural character in spatial form of tea house is deeply analyzed and discussed. Due to different ways of presentation of spatial form, the tea house possesses the emotion and appeal that further conforms to the spirit of the contemporary era and contains and highlights spiritual idea of Chinese nation. Part III discusses the core topics and values of the thesis research and manifests the significance and value of this thesis. The sense of belonging in spatial form of modern tea house is studied and generation techniques and presentation of sense of belonging are deeply studied. Firstly, the generation techniques of sense of belonging of tea house space are studied by beginning with the respect on traditional times and recognition of the tendency of the era. Secondly, the presentation of sense of belonging of tea house space is divided into: organic combination of functionality and traditional cultural character, emphasis on association between spatial form and overall environment and response of spatial form to the demands of the era. Thus, the spiritual connotation of “realizing the way and having wisdom if have no distracting thoughts” is manifested in concrete space interface. Only those in space could become aware of spiritual communications. In this way, the sense of belonging of spatial form of modern tea house emerges at the right moment.The innovation point of this paper lies in finding out the cultural feature in China’s traditional culture conforming to the spatial form characteristic of tea house during whole research and discussion. Such building skill of tea house is the same as the presentation of “holding thing to speech will” commonly adopted by the ancient scholars. The tea house space at the moment refers to the concrete object while the expression of inner cultural feature of tea house space refers to the concrete will. For example, the coincidence in China’s traditional culture and spatial form of tea house is found out by virtue of inner artistic conception of ancient poetry to unify the form of inner cultural artistic conception and outer spatial form so that the modern tea house with profound cultural feature could be built, namely the pure and tranquil soul destination.