Romance In Northeast China: Research On Lyricism Of Contemporary Northeast Native Novels

Since the 1920s,Chinese native novels in the modern sense have experienced a complex and tortuous gradual process of initiation,flourishing,retreat,fission and return to transformation with the change of the historical background.As the confirmation of "sentient history",lyricism in native novels and its evolution process contain the interaction between the change of "sentient" and the change of social context.Therefore,it is of great significance to explore the inheritance of "lyric tradition" in native novels in different times,the form,core and evolution process of lyric,and the subsequent social and historical background and emotional structure for grasping the overall development of native novels.As the "convergence point of modern experience",the local stories in Northeast China,on the one hand,participate in the process of China’s modernization with the writing of "feeling",and show different lyric forms in different historical backgrounds,showing the entangled relationship between literature and history;On the one hand,it also shows the strong lyric aesthetic characteristics with "local color",which contributes to the unique regional aesthetic experience of Chinese local literature.This paper chooses "the lyricism of contemporary Northeast native novels" as the object of discussion,trying to solve the following problems: First,from the perspective of Chinese literary writing tradition,what heritage has contemporary Northeast native novels inherited from Chinese literary "lyricism tradition",what new changes have occurred on this basis,and what factors of history,times and regional reality have combined to cause this new change;Secondly,from the perspective of the tradition of contemporary Northeast local fiction writing,how does "lyricism" intervene in the creation of Northeast local fiction,what are the natural background,regional theoretical resources and regional cultural resources generated by "lyricism",how do Northeast writers accept and reshape these resources,and what kind of unique literary lyricism concept,logic and emotional structure is formed;Third,under the guidance of this concept,logic and emotional structure,what are the new aesthetic characteristics of contemporary Northeast native novels,such as the new changes in narrative content,narrative scene and narrative language? Finally,what is the value and significance of the lyricism of contemporary Northeast native novels to Chinese contemporary literary writing? Focusing on these issues,this paper is divided into seven chapters,following the overall logic of: theoretical construction of lyric tradition in Chinese literature;generation of lyric tradition in Northeast Chinese native novels;lyric history and contemporary evolution of Northeast Chinese native novels;lyric aesthetic characteristics of contemporary Northeast Chinese native novels;meaning and reflection of writing experience of contemporary Northeast Chinese native novels;The development process runs through the core issue of "contemporary Northeast native novels and lyricism".The first chapter is the introduction,which mainly elaborates the basis of the topic selection,the definition of concepts(including "native novels","Northeast" and "Northeast native novels",etc.),the summary of the research situation,the innovation of this paper and the research methods.Chapter 2 first introduces the academic proposition of "lyric tradition" into the research field,analyzes its main viewpoints and dialectical value,defines "lyric" on this basis,and summarizes the extension and modern transformation of "lyric tradition" in Northeast native novels.The inertia of China’s agricultural civilization determines the local background of Northeast literature and the overall inheritance of the "lyric tradition" of classical literature,and at the same time,the native regional culture of Northeast China and the Central Plains culture have realized the integration and reconstruction of the local nature.Especially in the period of modern literature,the combination of enlightenment,revolution and salvation has given birth to the lyrical tradition of "northeast" in the native novels of Northeast China,and formed the unique regional aesthetic characteristics.Chapter 3 is about the lyricism and its contemporary evolution of the contemporary Northeast native novels,which is a diachronic review of the lyric form and evolution track of the contemporary Northeast native novels in various literary history stages,expounds the difference of the lyricism and the social,historical and cultural background behind it,and Outlines the overall change and context of the lyricism of the Northeast native novels.Like the whole creation atmosphere of the whole country,the Northeast native novels in the "seventeen years" period took the "authenticity" contained in the "socialist realism" as the content basis and evaluation standard,and took the countryside as the narrative container to promote and verify the historical legitimacy of the agricultural cooperative movement,but it also gave birth to the unique landscape of the Northern Wilderness native novels in the history of contemporary literature.The integration of regional lyrical elements such as scenery,customs and customs became the proof of the identification degree and heterogeneity of the Northeast native novels at that time,which was reflected in the "revolutionary lyricism" in the grand historical background.After entering the new period,native novels developed from "integration" to individual branch,and native novels became the "pure land" to resist political trauma and secular chaos,heal the wounded and place the soul.The Northeast native novels also tried to rebuild the utopian poetic space in the trend of "searching for roots" and so on,and returned to the classical pastoral lyric tradition.Since the 21 st century,the creation of native novels in Northeast China has become more abundant and diversified,and the modern transformation of rural areas under the background of urbanization has made "local" carry more modernity meaning to accommodate nostalgia and cultural reflection,and enter the level of cultural lyricism.In recent years,the native novels of Northeast China echo the call of the creation plan of "Great changes in new mountain villages",write the historical changes and spiritual outlook of the land of Northeast China,and merge into the tide of The Times of rural revitalization and Northeast revitalization in the way of "emotional going to the countryside".Chapter 4,5 and 6 adopt parallel structure,take the landscape lyricism,regional culture lyricism and language lyricism in contemporary Northeast native novels as the research viewpoint,go deep into the interior and details of the text,and discuss the aesthetic representation of the lyricism in contemporary Northeast native novels.Chapter4 is about the lyricism of contemporary Northeast native novels,which mainly expounds the lyricism of landscape description in Northeast native novels from three dimensions:natural landscape,labor landscape and life landscape,and discusses how landscape,as a "cognitive device",reflects the subjective emotion and lyricism of the creative subject.Chapter 5 is about the regional culture lyricism of contemporary Northeast native novels.It summarizes the "tangible" material culture folk customs,social life folk customs,season folk customs,and folk art with "carnival" nature such as Yangko dance,stilt walking,duet duet.It also expounds the spirit and divinity of shamanic culture in the text,and its support to the aesthetic charm of Northeast native novels.Chapter 6 is about the language lyricism of contemporary Northeast native novels.From the aspects of Northeast regional language characteristics and lyric characteristics of language,combined with specific novel languages,the author analyzes how to express different emotions through language output.On the basis of the first six chapters,Chapter 7 summarizes the emotional structure of lyricism in contemporary Northeast native novels,that is,expressing strong spirit in the difficult survival,expressing emotional warmth in the desolate and cold background,and expressing "poetic dwelling" in the broken reality.This kind of "emotional structure" with historical tradition,regional characteristics and realistic observation has merged into a kind of "romance" exclusive to the north,which is lonely but not yet warm,cold but full of poetry.However,with the advancement of modernization,when the local reality no longer leaves room for romanticism and poetry,how to write such a changing cultural transformation and where to place the local feelings of modern Chinese people will inevitably become an important echo that lingers in the ears and hearts of the writers of Northeast native novels and even Chinese native novels.