Research On The Development And Creation Of Yunnan Dance Drama And Dance Poetry Since The New Er

The new period of reform and opening up is the great historical turning point of China’s ideological liberation.In the 70 years of development of Chinese contemporary dance drama,the new period is an important period for Chinese dance drama to "open up pattern" to "create a new domain".Since the new period,the creation of Yunnan dance drama and dance poetry conforms to the development of The Times and the law of artistic development,and has a certain influence in China’s regional dance drama.In a broad sense,"Yunnan Dance drama" is a concept of regional division,and in a narrow sense,it refers to ethnic minority dance dramas that express the customs and culture of Yunnan ethnic minority dances.In the development of yunnan dance drama,dance poetry,first into a "new era" of the Dai dance drama called "Zhaoshutun and Yumunona"(peacock Princess),is Chinese contemporary minority dance drama history important milestone,show the ethnic dance drama legend adaptations of the cultural metaphor.In the 1980 s and 1990 s,Yi dance dramas,from "Miyilu-Ma Yinghua" to "Ashima",became mature ethnic minority dance dramas,whose structure and poetic expression deeply grasped the development law of dance drama art.In the historical stage of Chinese dance dramas’ exploration of dance ontology from "dance drama" to "dance poetry drama",the development of "poetization" of dance drama and "themeization" of group dance formed "dance poetry".Yunnan became a hot land for the creation of dance poetry,which opened the return of dance drama ontology consciousness.Since the new period,the creation of dance dramas in Yunnan has expanded the development of ethnic dance languages,among which the Dai and Yi ethnic dance languages have made the greatest achievements.When entering the market economy era of comprehensive reform and opening up,the prosperity of Yunnan tourism promotes the creation of Yunnan dance drama and dance poetry to the market of tourism and dance.In the "Yunnan mode" of tourism and dance,it can be found that regional folk dance is "popular" in the context of "integration of culture and tourism",and tourism industrialization promotes the aesthetic transformation of the creation of Yunnan dance drama and dance poetry.After entering the 21 st century,the creation of dance dramas and dance poems in Yunnan has broken through the inherent mode of focusing on myth and epic in the traditional ethnic themes,so as to focus on reality and revolutionary history,and the ideographic orientation of the creation of realistic themes of dance dramas has undergone great development in different types.Since the new period,the creation of Yunnan dance dramas and dance poems has accumulated valuable experience.Following the trend of history,Yunnan artists have written colorful "Yunnan picture" in the territory of Chinese dance creation,forming "Dian School dance Drama" in the perspective of "Yunnan School of Dance"."Dian School Dance Drama" shows the "concentration and strength" of multi-ethnic theme selection,the "ideographic drama" of minority dance languages,the "heavy color painting" tone of the visual presentation of dance drama and the "poetic" mode of dance drama,and so on.The author points out that "Dian School dance drama" is conducive to strengthening the cultural consciousness of the construction of ethnic dance drama.