| Selfie is considered to be a form of contemporary self-image,because it has the all characteristics of self-image but in a contemporary way.Journey of Contemporary selfie is very interesting.To fully understand this Selfie phenomena,we must undergo the historical development self-image and the process of selfie phenomena.This research will trace the development of contemporary selfie and analyse its aesthetic characteristics.Although contemporary selfies are considered symbols of visual culture,social roles can be interpreted as a basic social visual tool to analyse the socio-cultural,socio-economic parameters.The selfie phenomenon is a comprehensive aspect of contemporary portrait art.In order to better understand the aesthetic journey of contemporary selfie,we must go through an overview of the history of photography,the development of the Internet,digital humanities,and media aesthetics.Our theme mainly focuses on the art,and craft of the selfie,its aesthetic analysis and discourse of selfie in contemporary society,which forms a digital culture.This attempt involves not only aesthetics,but also the impact of technology on aesthetics,the aesthetic level of selfie and its impact on socio-cultural characteristics,and the impact of technology on the digital culture of selfie.Analysis on the aesthetic characteristics of we must understand the journey of Self-image to selfie,media to new media,and aesthetics to the new aesthetics.Contemporary selfie has gone from traditional photography to the despecialization of photography schools.This is a great paradigm shift.Our phones come with a multi-purpose camera and many apps,both of which are connected to social networks.New media has made selfies lose their aesthetic distance.Contemporary selfie has a variety of social dynamics,with positional and relational characteristics.Because contemporary selfie exists in a very dynamic environment,it has also spawned a new form of virtual aesthetic art and a new form of artistic existence.Then analyse the future aesthetic trend. |
