Research On Value Of Science And Technology From The Perspective Of Design Aesthetic

Design is not only regarded as a material creation of the combination of human technology and art,but also regarded as a spiritual activity where science and technology and aesthetic practice complement each other in the real society.Since the industrial society,with the conflict between technological progress and traditional humanities,the demand for the integration of technological effects and aesthetic elements has already been existed,and it makes the design aesthetic containing the judgment standard that shows the unity of the true,the good and the beauty in the scientific and technological value.It is worth exploring how to transform the scientific and technological value into explicit and non-explicit features of design aesthetic that easy to accept,and how to promote the dissemination of scientific and technological value in social life.It is analyzed,sorted out and summarized the related concepts of design aesthetic rationally and objectively from a new perspective by literature research method,concept analysis method,and inductive method;studied the close connection and intersection between technology and design aesthetic by historical research method,case research method,faced the increasingly complex and changeable design aesthetic issues in the technological era,and discussed the impact of technological development on design style and aesthetic features systematically;explored the formal beauty of externalization and cultural connotation of internalization of scientific and technological value by literature research method,interdisciplinary research method,and induction method,and clarified the role of scientific and technological value on design aesthetic from the unique perspective of design.The main research content is divided into three parts.The first part is the first chapter,which is used for theoretical preparation.It analyzes design beauty and design aesthetic from the perspective of practical aesthetics:emphasizes that design beauty comes from practice and constitutes complex social beauty;and emphasizes that design aesthetic is a complex activity intertwined with sensibility and rationality.The second part is the second and third chapters,which are used to analyze the historical facts.It sorts out the design aesthetic changes associated with science and technology since industrialization in chronological order,analyzes the variation of design aesthetic concepts in the process of the reintegration of technology and art in industrial society,and analyzes the evolution of design aesthetic features driven by technological value after the reintegration of technology and art in post-industrial society,so as to grasp the core issues of aesthetic in each technological age;It analyzes the most important influences of mechanization and informatization on design objects,design concepts,design styles,and design features based on the social reality,discriminates the interaction between "use" and "beauty" in reality,so as to prepare for the exploration of issues with theoretical depth from the design aesthetic perspective.The third part is the fourth and fifth chapters,which are used for theoretical innovation.It studies explicit features of the externalization of scientific and technological value firstly:grasps the direct role of scientific and technological value in shaping the beauty of specific forms through the application of distinctive technology and profound scientific rationality,explores the theoretical support for the sense of science and technology become new aesthetic feeling from mature theories such as industrial beauty structure theory,pragmatism aesthetics and acceptance aesthetics,and finds the role of the sense of science and technology rising to aesthetic feeling from the aesthetic experience of design.Then it studies the new humanistic connotation of the internalization of scientific and technological value:grasps the rhythm of the integration of science and technology and humanities in developed society,pays attention to the realistic basis of the dependence of the value of science and technology,analyzes the role of scientific and technological culture that design aesthetic humanized express scientific and technological value and design objects show new humanistic connotation through temperament changes.In conclusion,from industrialization to now design aesthetic has presented sense of science and technology that keeps pace with the times and gradually formed new humanities,which highlights the objective scientific and technological value;the explicit representation of the value of science and technology that shaped by design directly links the value of science and technology with the beauty of form through the sense of science and technology;the non-explicit connotation of the value of science and technology that presented design aesthetic promotes the benign interaction between science and technology and aesthetic through "new humanities".The concept of "sense of science and technology" which proposed and perfected based on the unification of truth,goodness and beauty,is conducive to optimizing the path which interpretates the corresponding of the positive effects of science and technology and the formal vocabulary of design,and provides suitable entry point for distinguishing the blending of the superiority of science and technology and the beauty of form;It is helpful to improve the research level of design aesthetic and promote the shift of research focus from form to connotation by strengthen the new humanistic connotation that matches the value of science and technology based on the background of the times.