Study Of The Stone Inscription Collected By The Connoisseur Shen ShuYone In Qing Dynasty

With the excavation of ancient artifacts,the activities of visiting monuments,and the activities of epigraphy and collection,the Qing Dynasty was a peak in the development of epigraphy.This paper investigates the collection of stone inscriptions by Shen Shuyong in the Qing Dynasty,investigates the emphasis and changes of collections in each period,discusses their collection methods,as well as collection information,channels and competition.In Xian and the same year,Shen Shuyong,his professional teacher Yu Yue and other Jinshi friends appreciated the stone inscriptions,such as asking Yu Yue about Han Dynasty stone inscriptions,helping Wei Xiceng to collate and supplement the "Jinshi Cuibian",and Wu Dazeng appreciating the golden rubbings and Song Tuo Xue Shanggong’s "Historical Dynasties" Zhong Ding and Yi utensils mark the Dharma Recognition Post,collect the fragment,and discuss with Pan Zuyin to search for the Monument of the Marquis of Shanan.This article sorts out Shen Shuyong’s collections by chronological classification,and makes a special discussion on his important collections,such as two remnants of the Song Dynasty "Han Shijing","Tang Xiu Gongsun Qiao Temple Remnant Stones",Northern Dynasty stone inscriptions,"Dingwu" The Lanting rubbing.In addition to the collection and description of Jinshi,there is also a catalogue of calligraphy and painting collections to record the collection of calligraphy and painting.Other collections,such as seals,stamps and books,reflect different collections.This paper investigates the seals and seals collected by Shen Shuyong,understands the flow and transfer relationship between seals and seals,and discusses the collection of seal carving documents.Shen Shuyong searched for stele inscriptions and helped Zhao Zhiqian to compile the "Inscription on the Monument of Complementing the Universe".Zhao Zhiqian’s doublehook stone carving activities in the Han Dynasty and the development of calligraphy style in the Northern Wei Dynasty in the future reflect the contribution of the connoisseur group.This article also examines Zhao Zhiqian’s views on the double hooks inscribed on the stele by discussing Zhao Zhiqian’s double hook "Liu Xiong Stele".This article also examines Wu Hufan’s addition to Shen Shuyong’s postscript "The End of the Golden Stone in the Han Shijing Room",and deliberately searches for the old collection,and expands on the basis of the old collection of inscriptions,from the study to the public exhibition through the Shanghai Document Exhibition.The two love and pursue stone carving collections,but in the Northern Dynasties stone carving calligraphy,the aesthetics of the two are different.In the collection culture of the Qing Dynasty,collectors had different emphases.Shen Shuyong focused on the collection of stone inscriptions,and established his own image of collection with the "Han Shijing Room".Connoisseurs,but also want to continue the description of the stone carvings of the predecessors.From the spread of stone inscription rubbings in the Qing Dynasty,many important rubbings have been collected by Shen Shuyong,which occupies an important pivotal position in the circulation of rubbings.Finally,I try to analyze the regret of Shen Shuyong’s collection activities.Due to factors such as his untimely death and search for regions,his collection activities cannot be further carried out.