Research On Western Modern Painting Concept Based On Inspective

Western modern painting is not only an art form separated from traditional painting in the sense of time,but also a painting paradigm established with artistic paradigm,artistic concept and artistic aesthetics.Therefore,the artistic concept of representing the essence of modern painting not only reflects the basic artistic pursuit of modern painting,but also reflects the metaphysical value of modern painting.This paper based on philosophy,with modern painting as the research object,the problem consciousness as the orientation,with intention concept perspective,through the east and western traditional painting face vision,modern painting art breakthrough,"intention" art questioning and "free creation" art aesthetic four aspects of analysis and research,reveals the modern painting concept of metaphysical thinking and aesthetic value.The first chapter takes traditional painting as the starting point for the description logic of "what to draw".It shows that although under the influence of different cultural backgrounds,they present different aesthetic pursuits,there is also consistency: both affirm the naturalness of the object and reveal the reality of the object and the subordinate attributes of the expression subject.Moreover,the study of the artistic logic of "expressing truth" in the paper shows that the independence and entity of "truth" are recognized by both Oriental and western traditional paintings in traditional painting.Thirdly,based on the aesthetic logic of traditional painting,this paper discusses the aesthetic concept of seeing beauty based on traditional painting.Although the beauty seen in the Chinese and Western traditional paintings under different cultural backgrounds is different,they all interpret the beauty from the objectivity and entity of seeing the beauty.In the second chapter,the artistic technique of modern painting is studied and analyzed.The paper first discusses the answer of modern painting to the fundamental question of "how to draw",and reconsiders the relationship between painting and the subject.From the research of creating the form of restoring the object,showing the technical characteristics separated from the object,and presenting the aesthetic pursuit of the arranged object,it shows the painting concept formed by the intuitive form of modern painting.On this basis,the way and visual problems of visual objects and events are further discussed.The intuitive concept beyond the appearance is the art way to express aesthetic experience and understanding of art criticism;the combination of multi-layer reciprocal elements makes modern painting change the prescribed logic of selecting painting elements,forming the combination logic constructed from the subject concept;the aesthetic orientation makes modern painting face the concept itself.Finally,based on the concept change of modern painting art thinking,the paper discusses the intuitive way of constructing the theme,and points out the unified relationship of painting and the theme in modern painting.Therefore,the intuitive experience activities of modern painting have not only changed the way of painting art existence,but also changed the metaphysical pursuit of painting art.He really abandoned the state of the external ontology dominating the painting,and began to really think about the ontological problem of the painting.In the third chapter,the author studied the internal mechanism revealed by intentionality.Focus on the creation stages of three paintings,including the theme selection,creative works and aesthetic experience.First of all,the intentional criticism of "seeing" shows that "seeing" is the reconstruction process of the object,and in the sense of modernity,it deconstructs the objectivity of the object,the reality of the subject,and the fixability of the relationship.It is precisely because of the criticism of intention that modern painting has achieved a real kind of artistic affirmation into the object and the subject in the creation.Second,the paper further points out the affirmation of modern painting intention "painting",affirming the depth of painting interest and things,affirming the mutual release of feeling and scene,affirming the mutual generation of heart and things.Finally,the discussion from three aspects of projection,realization and experience clarifies the core position of the artist in painting creation.As a kind of the intention to express the object world,construct the meaning world and express the value world,it directly points to the artistic questioning of the subject itself.The fourth chapter takes how to construct the free experience of modern painting,and deeply discusses the ultimate freedom of object and subject,material and form and art.The paper takes the lead in clarifying the visual function of awakening objects.Artists really learn to see the world with their own eyes,understand objects with their heart,and deal with relationships with people.Through the artistic representation of modern painting,vision is the unity of painting and seeing,the unity of subject and object,and the consistency of necessity and freedom.On this basis,the paper further points out that modern painting gives full play to the overall function of art and integrates the division and opposition of material and form,which not only conforms to the pursuit of object and formal subjectivity,but also fully affirms the objective characteristics of the object world.Finally,the paper discusses the core values and subject consciousness of "free experience" in modern painting.In the objective principle of the object world,in the artistic intention,the visual field,spiritual space and free experience.