A Comparative Study Of Hasibao And Jin Shengtan's Views On Literature And Ar

Hasbao was a Mongolian translator and literary critic in the Qing Dynasty.He translated Cao Xueqin’s 120 chapters of "The Dream of Red Mansions" into forty chapters of "New Translation of The Dream of Red Mansions".He also wrote the preface,reading method,general record and 40 essays.It can be seen that he is an important figure in the history of criticism of "The Dream of Red Mansions".Hasbao claimed to be under the tutelage of Jin Shengtan,and was deeply influenced by Jin Shengtan in the form and content of his comments.Jin Shengtan was a famous literary critic who lived in the late Ming and early Qing dynasties.He is famous for his comments on "Water Margin" and "The Romance of the West Chamber",which is the peak of ancient Chinese literary theory.This paper compares the literary views of Hasbao and Jin Shengtan,showing Hasbao’s inheritance and innovation to Jin Shengtan,and explores the origin of Hasbao’s literary views.This paper consists of three parts: introduction,main body and summary.At the introduction part explains the cultural context of Hasbao’s literary translation and criticism from three aspects: Mongolian-Chinese literary exchange and Hasbao,Hasbao and Zhuosutu culture,Hasbao and Jin Shengtan.And then summarize the relevant research results of Hasbao and Jin Shengtan,and explain the research purpose,research significance and research methods used in this paper.The first chapter is a comparative study of Hasbao and Jin Shengtan’s creation theory.The first section compares the creative motives of Hasbao and Jin Shengtan from two aspects:writing to express hatred and writing for entertainment.The second section comparatively studies Hasbao and Jin Shengtan’s viewpoints on the creative process from the aspects of "Ge Wu Zhi Zhi","Qin Dong Xin" and "Yin Yuan Sheng Dao".The third section compares and studies Hasbao and Jin Shengtan’s views on the creative realm from three aspects: "Xian jing","Shen jing" and "Hua jing".The second chapter is a comparative study of Hasbao and Jin Shengtan’s character theory.The first section compares the character theories of Hasbao and Jin Shengtan from four aspects: the personality of the characters,the commonality of the characters,the richness of the characters,and the relationship between the characters and the environment.The second section compares the character criticism standards of Hasbao and Jin Shengtan from two aspects: the same personality pursuit and different feudal ideas.The third section compares the character-building techniques proposed by Hasbao and Jin Shengtan from three aspects: comparative method,contrast method,and "Chun Qiu Bi Fa".The third chapter is a comparative study of Hasbao and Jin Shengtan’s narrative structure theory.The first section compares Hasbao and Jin Shengtan’s views on the overall structure of literary works from three aspects: the coherence of the overall structure,the integrity of the overall structure and the duality of the overall structure.The second section makes a comparative study of hasbo and Jin Shengtan’s views on plot setting from three aspects: the relationship between plot and character,the twists and turns of plot and seeking differences in the same plot.The third section compares and studies the narrative skills proposed by hasbo and Jin Shengtan from four aspects: the "Cao She Hui Xian" method,the " Shi Zi Gun Qiu " method,the "Xu Shi" method and the "Bin Zhu" method.The fourth section compares the narrative rhythm views of Hasbao and Jin Shengtan from three aspects: pause,omission and delay.The summary part summarizes the content of the text,summarize Hasbao’s inheritance and development of Jin Shengtan’s literary view,and discusses Hasbao’s contribution to Mongolian literary theory,Chinese literary theory and Redology research.