Yan'an Literature And Art In The Perspective Of Literary Geograph

As the construction of nation-state,geared to the needs of workers,peasants and soldiers,and different from "May 4th" literary form,yanan literature and art in addition to age and political factors complicate formation,also with its special geographical environment issues,in particular in the space field,synchronic literary form and the natural and humanistic environment together,It summoned scholars from all over to Yan ’an,and formed a mass literary form in which intellectuals and folk were present at the same time in a literary imagination community.This paper from the perspective of literature and geography to explore the diversity of yanan literature and art form,its spatial factors also refers to the generalized yanan literature and art,namely the yenan and anti-japanese base areas behind the enemy lines constitute of literature and art,in which the focus of the geographical divisions according to the literature,in yenan and the shensi-kansu-ningsia border region,and geographic space similar shanxi-chahaer-hebei border region as the main object is discussed.Yan ’an has started the construction and movement of literature and art with the color of literature and geography since the location of the CPC Central Committee.Under the influence of natural environment,humanistic environment and social ecology,"local" and "mobile" literature and art with both folk characteristics and transformation discourse have been formed.Therefore,in addition to the introduction and conclusion,this paper mainly discusses the following five chapters.The first chapter mainly explores the displacement of literature center from south to north,the initial of Yan ’an literature and art.In this chapter,mainly from three aspects of the demonstration: first,the analysis of yan ’an and Shaanxi-Gansu-Ningxia and Shanxi-Cha-Ji border area of the geographical environment,from the geographical environment factors to analyze the development of the northern Shaanxi Red Army led by Liu Zhidan and the southern Liang base area of the impact of the central Red Army finally settled in Yan ’an.First,the northern Shaanxi environment is bad,surrounded by mountains,easy to defend and difficult to attack on the terrain of the war of resistance,suitable for the development of the Red Army,at the same time,northern Shaanxi and Shaanxi-Gansu people are more poor,more strong desire to turn over,more easy to mobilize,in addition,liu Zhidan led the Northern Shaanxi Red Army lit a spark of fire,there is a certain red foundation;2,northern shaanxi,the geographic space of yanan literature positive image shaping and dissemination of advantage,one is due to its closed block of shaanxi to by Chinese and foreign "medium" to achieve positive image shaping,northern shaanxi traffic is extremely inconvenient,thus more easily in the foreign journalists such as Edgar snow and the Chinese patriotic democracy activists,journalists report sets up the image.Second,in the image building,the closed nature of northern Shaanxi leads to its mystery and forms an "imaginary community".The third is to shape the image of "holy land" in the imaginary community.Third,with the coverage of Chinese and foreign media and the preferential policies of the COMMUNIST Party of China,tens of thousands of intellectuals and literary youth rushed to Yan ’an,thus the center of literature and art shifted from the kuominteng-controlled and occupied areas to the economically backward Yan ’an.Formed from the southeast coast to the northwest mountainous area of the center of literature and art shift.The second chapter mainly explores the influence of natural and humanistic environment on yan ’an literati’s creation.First,the influence of natural environment on literati’s creation.One is the change of literary character of intellectuals in the space shift from south to north.Most of the intellectuals who went to Yan ’an came from cities in the south,and the environment and atmosphere of the city in the south were in great contrast to the environment of the Loess Plateau in Yan ’an.The characters of the literators also changed during the arduous journey and numerous checkpoints.Second,the difference of natural scenery led to the phenomenon of "landscape" writing in the early Yan ’an literature and art,with a large number of natural landscapes such as the Water of Yan River,earth caves and Pagoda Mountain as writing objects,as well as revolutionary images of the literati who went to the front.Influenced by the natural environment,he Qifang,Bian Zhilin,Ding Ling,Sha Ting,Liu Baiyu and many other literati changed their writing.Third,in the late Yan ’an period,"scenery" was written in a wider space.Literati turned from a small field to a large field,and the landscape expanded to a larger country and army.The third is the influence of climate environment on writer’s mood.Third,in the late Yan ’an period,"scenery" was written in a wider space.Literati turned from a small field to a large field,and the landscape expanded to a larger country and army.The third is the influence of climate environment on writer’s mood.Second,the impact of humanistic environment on literati creation.The cultural environment is the local conditions,customs and spiritual outlook of northern Shaanxi.It is the cultural atmosphere formed by the natural environment,and its influence on writers’ creation is subtle.One is the cultural environment of spiritual field and frontier area.Under the free and optimistic spirit field of the frontier region,the early literati’s creation was also full of passion and fighting spirit.Second,the local conditions and customs of the border region become an important element of writers’ creation.For example,the environment of water shortage,the cultural background of low literacy rate,such as the image of wearing a towel on the head,the dialect of northern Shaanxi have all become the creation elements of the literati.Third,the folk arts of the border areas,such as folk songs,story-telling,allegro,Qinqiang opera,Yangko and Daoqing,recreated the creation of literati,especially in the fields of workers,peasants and soldiers in the later period.Third,street poetry movement and literary geographical factors.Street poetry was initiated and developed in the special environment of the border area,and then rapidly expanded to the Border area of Shanxi,Cha-Ji and many bases behind enemy lines.The third chapter explores the profound influence of social ecological environment on the late Yan ’an literature and art period.First,from individual to official: the change of literati identity and living context.First,the creation environment of the literati has changed from individual marketization to collective discourse system.Second,the living environment is no longer self-survival but supply system,food,clothing,housing and transportation have corresponding distribution system.Second,literati participation in mass production movement and labor narration.First,the physical and mental changes of literati after their participation in labor;The second is the literati’s conscious approach to creation in the changing social environment and the song of labor created by the literati under the compulment of ideology.Third,political vane: the role reconstruction of intellectuals.Political factors have always been important indicators of Yan ’an literature and art,especially the rectification of literature and art and "speech" played a crucial role in the formation of feng shui Mountains in yan ’an literature and art period.And political factors was also accompanied by changes in the environment in wartime,the occurrence of the incident in the south of anhui,extremely difficult economic as well as the relationship between activation,internal contradictions,and so on,which was associated with the space,the space under the influence of political discourse that had an impact on the intellectual creative direction,led to the role of the intellectuals refactoring and ideological remolding.New folk discourse system: based on the presence of folk cultural resources.That is,the transformation of folk artists in discourse.In the new social environment,folk artists combine their own skills into the discourse of transformation and become "local" literary and art workers who are both the subject of creation and the subject of reception.Chapter four explores the geographical factors of literature in the formation of collective writing.Collective writing is an important part of Yan ’an literature and art,and has become an important pointer of intellectuals and folk collective "carnival".One,collective essay.From the beginning of collective essay writing,Yan ’an started collective writing,and the collective essay writing deeply participated by workers,peasants and soldiers became the initial cooperation between literati and masses.Ii.Plays created and performed collectively.Drama is the most important literary form in Yan ’an literature and art.Due to the shortage of scripts in Yan ’an,the trend of collective script writing was eventually formed,and then gradually from collective writing to collective directing.The famous drama "white-haired girl","rural" "three dozen village of the family" and so on are the crystallization of the collective,in highly collective participation in drama,intellectuals constantly close to the people,to accept the opinions and Suggestions of folk,eventually form the folk material,intellectual creation,collective discussion of the script,collective participation Bian Yan integration process.3.The classicization of the White-haired Girl is deeply related to the folk.The story of the white-haired Fairy maiden spread from the Shanxi-Cha-Hebei border region to Yan’an,through the collective creation of Lu arts such as He Jingzhi and Ding Yi,and then through the in-depth feedback of the masses,the new opera "The White-haired Girl" was finally modified and formed repeatedly,and again spread to the base area behind enemy lines,which is a typical example of the integration of literary geography and collective.Chapter five explores the process of "locality" of Yan ’an’s literary and artistic language.This chapter selects three typical writers,namely ding Ling,a writer from "pavilion" to "earth cave",Bian Zhilin,a poet who stayed in Yan ’an for a short time,and Zhao Shuli,a writer of "local nature".From the three writers’ different language styles and language changes,this paper analyzes the profound influence of literary geographical space on writers’ creative language.1.Acceptance and Discipline: The spatial turn of Ding Ling’s language.Ding Ling,as a typical writer of Yan ’an literature and art,has a very important relationship with yan ’an literature and art both from her life experience and her creation experience.Ding Ling’s language has a course of action from her early hometown geography: Hunan culture,to her study activity geography Shanghai school culture and yan ’an folk culture.From the early Literature of the May4 th Movement to the later literary language for workers,peasants and soldiers,especially the later "The Sun Shines on sanggan River" language change,ding Ling from the geography of origin to the geography of activity.Second,the trip to Yan ’an and the change of Bian Zhilin’s language style.Bian Zhilin as a short stay yan ’an poet for a year,from the romantic crescent to the sonor of the revolution,which is very closely associated with Bian Zhilin Yan ’an(Shanxi Cha-Ji front line)trip.Bian Zhilin took "I" as the language signifier in his early years and turned to "he" as the language signifier in yan ’an period.3.Local Language and the system of sorcery and God: the "mother culture" of language in Zhao Shuli’s novels.Zhao Shuli is a native of Qinshui County,Shanxi Province,where the geography of origin and the geography of activity highly overlap,so that the culture of the geography of origin directly into the writing,forming a language "intermediary" between intellectuals and the masses.