| Aesthetic image is the existence of time and space.In the Tang Dynasty,with the development of image theory and the diversity of literature and art,the time-space and aesthetic image of Tang Dynasty were deeply blended and collided,and merged into the deep aesthetic image of poetry/calligraphy/painting/art,forming a unique concept of image time-space concept,rich in poetry and highlighting the spirit of classical aesthetics.This paper selects the development of the aesthetic image time-space concept in the Tang Dynasty to have a glimpse of the time-space concept in the classical aesthetic image theory.Undoubtedly the excellent development of aesthetics and image in the Tang Dynasty provides an excellent sample for the study of the time-space concept of image.On the one hand,it is in a special stage of aesthetic image development,connecting the past with the future,which contains rich aesthetic time-space meaning;On the other hand,the Tang Dynasty is prosperous and inclusive,its literature and art are diversified and in-depth.People in the Tang Dynasty are full of enthusiasm and aesthetic meditation for their own external aesthetic world and internal realm time-space,which will show the poetic exploration and deep construction of image time-space.This paper takes the concept of time-space in the Tang Dynasty image theory as the research object,the purpose of which is to investigate the aesthetic paradigm and form of the time-space concept in the whole Chinese Classical Aesthetics,the method of which is to go deep into the Tang Dynasty aesthetic image theory with the concept of time-space,the measure of which is to put the aesthetic spirit or thought of the time into the specific time-space background and conditions for in-depth thinking and overall grasp.In view of the current situation of research background of time-space concept,the corresponding research methods are as follows: Firstly,based on the aesthetic background and presentation characteristics of the whole Chinese Classical Aesthetic image of time-space,grasp its overall tone,which is called diachronic;Secondly,go deep into the special/complex/diverse cultural and aesthetic background of the Tang Dynasty,overview the whole process of aesthetic image ontology/creation/presentation and analyze the concept of image time-space layer by layer in the way from the beauty of time-space/the thinking of time-space to the "Tao" and "art" of time-space aim at seeking the aesthetic difference of time-space so as to show the aesthetic connotation of the times and the spirit of life aesthetic,which is called synchronicity.Thirdly,combine the macro research and case study,from source to flow,from theory to practice,artistically present the concept of time-space,summarize the aesthetic characteristics of time-space in different types of art,and deeply analyze as well as explain the characteristics of aesthetic image time-space,that is the Spatiotemporal of research content.These research methods are not isolated from each other,but integrated into a multi-dimensional methodology system,providing guarantee for the smooth development of the whole project.In terms of structure,the paper is divided into four chapters besides introduction and conclusion.First of all,the overall aesthetic characteristics of the time-space view in the Tang Dynasty’s image theory.This part give an overall overview and systematic cognition of the time-space view aesthetic characteristics in the Tang Dynasty’s image theory from three aesthetic themes include the infinity of the image time-space,the integration of the image time-space and the contextualization of the image time-space.From the scope of time-space,the relationship between time-space and the content of time-space to deep in the central field of aesthetic image in Tang Dynasty,so as to realize the profound demonstration about the beauty of image time-space.The concept image time-space in Tang Dynasty is the unique thinking mode of the times and national soul,which shows the inner world and emotional track of the litterateur in Tang Dynasty.This paper presents the aesthetic attribute of Tang Dynasty’s image theory time-space in Aesthetic spirit of the times,and analyzes the deep aesthetic theme of the image time-space concept combined with the background of history and culture.Secondly,time-space view of image ontology in Tang Dynasty.On the basis of the first chapter,the second chapter goes into the presentation of diversified thinking of ontology about the time-space,which is deeply rooted in the rich and profound ideological or cultural background of the times.The concept of time-space in the aesthetic image ontology of Tang Dynasty is based on the objective image time-space,and at the same time surpasses the time-space consciousness of objective image.It expresses the time-space thinking of Tang people about their universe world and life consciousness.From the "origin" of time to the "body" of space,the concept of time-space in the Tang Dynasty’s image ontology becomes a form of aesthetic perceptual transcendence rich in multi culture,and at the same time establish the inner spiritual power of time-space aesthetics based on the perceptual thinking form,last wrote the time-space ontology in the ideological and cultural context of Confucianism,Taoism and Buddhism.So as to realize the spirit and further deepen the aesthetic construction and presentation of image time-space.Thirdly,time-space view of image creationism in Tang Dynasty.The image time-space ontology in Tang Dynasty is further demonstrated as an in-depth interpretation based on the thinking and construction of aesthetic image time-space,thus entering the discussion of the third chapter.In the creation of aesthetic image,the people of Tang Dynasty constantly explore and pursue the expression and aesthetic implication of time and space,which is further reflected in the aesthetic development of unlimited image time-space from the "Yi" of the subject,the construction of the relationship between image time-space from the "Xiang" of the objective,and finally the integration of image time-space into the "Jing" contacting the aesthetic roots of the times.In the process of creating aesthetic image,the concept of time-space constantly experiences thinking,perfection,deep turning and transcendence,forming a complete process of dynamic construction of aesthetic image time-space.Finally,time-space view of image art theory in Tang Dynasty.The aesthetic image is presented in space and unfolded in time.In the last chapter,the multi aesthetic presentation of time-space in the image theory of Tang Dynasty is the "finishing touch" of aesthetic image time-space study in Tang Dynasty.The concept of time-space is finally displayed in the unique artistic image world of Tang Dynasty,and presented as a poetic experience of image time-space.Tang people’s exploration of time-space is progressing constantly.They express the image time-space as poetry,as book,as painting,as garden,as music and dance.Time and space is a splendid world of artistic image.In the gorgeous and perceptual world of artistic image,we should grasp its aesthetic time-space management or layout and aesthetic space-time characteristics,taste space-time again,melt poetic,and construct the poetic quality.In a word,there is a profound concept of time-space in the image theory in Tang Dynasty,which is presented in the the origin of image ontology,the creation and aesthetic presentation of aesthetic image.Time and space is the rich and colorful aesthetic image world of Tang people.Driven by the multi aesthetic trend of thought,the concept of time-space presents the aesthetic theme containing the unique context of the times,showing the multi ontological thinking form of ideology and culture.At the same time the concept of time-space is deeply involved in the whole process of the creation of aesthetic images.Finally in the artistic presentation of aesthetic images,the concept of time-space is transferred to the broad artistic corridor and poetic universe,and time-space write the aesthetic feelings of the Tang people vs the spiritual world.The concept of image theory time-space in Tang Dynasty has been written in the long history of Chinese Classical Aesthetics,which has a profound impact on the later study of time and space aesthetics. |
