Research On The Lyrics Of Chinese Pop Music Since The New Era

Since the new era,the lyrics of Chinese pop music reflect the ideological trend and cultural context of Chinese pop music over 40 years.The study of lyrics of Chinese pop music is of both musical and cultural significance.The lyrics of Chinese pop represent music a kind of existence which is both historic and realistic.It is not only coming slowly in the tide of thought and culture,but also intertextual with culture,thought and society.From the creation of Chinese pop music lyrics in different stages,we can see both history and society,daily life and people in daily life.Based on this,this article studies the lyrics of Chinese pop music since the new era.The introduction of this article summarizes the origin and research value of the topic,related references,research content and research methods,and briefly describes the time concept involved in this article.The main body of this article is divided into four aspects,respectively from the four dimensions of the central topic of the article.The first chapter focuses on the lyrics of Chinese pop music in the early stage of the new era,and expounds the appearance of Chinese pop music in the new era from five aspects: the content and artistic turn of the lyrics,northwest wind,folk songs,rock music and love songs lyrics,as well as the era significance and ideological significance embodied in the lyrics.In the 1980s,the lyrics of pop music changed from national narration to personal expression.On this basis,"northwest wind" music showed a strong sense of seeking "roots".The lyrics of folk songs were influenced by Taiwan’s new folk songs and had a bottom-up awareness of common people.Rock and roll music expressed itself in the formation and development,and songs expressing love gradually became the mainstream and took on a shape These lyrics construct the presentation of pop music lyrics in the 1980s.The second chapter focuses on the later period of the new era,discussing the life turn of Chinese pop music lyrics and the rise of individual consciousness,focusing on the lyrics of folk songs,love songs represented by the "new generation" and rock music lyrics,as well as the impact of Hong Kong and Taiwan pop music on the mainland pop music.The ballads of the 1990s are more close to life and natural people,forming the initial "Modernity of life".The creation of "new generation" creators and singers presents the love theme with the tendency of urbanization and popularization in the 1990s,and their lyrics also presents a new paradigm.The national narrative in this period is closely combined with the individual’s life and state,presenting the"macroscopic" in the “microcosmic",forming a new national narrative.Under the influence of the 1980s,the creation of rock music lyrics has become more diversified,with the emergence of Tang Dynasty,black leopard,Dou Wei and other different lyrics creation tendencies.The third chapter elaborates the new paradigm of Chinese pop music in the new century and the "popular" turn of pop music lyrics,involving the "Disenchantment" and popular tendency of lyrics creation,the turn from romance to narration,the lyrics creation of nostalgic pop music and the "kitsch" tendency of network pop music.In the new century,the creation of popular song lyrics presents a trend of popularization.Some popular songs have formed the initial narrative turn,and "storytelling" has become the existence of many song lyrics in this period.With the classical tradition of "Chinese style" lyrics also went to great development and formed a pole.On this basis,Fang Wenshan’s creation of pop music lyrics is exemplary.Fang Wenshan’s inheritance and development of classical literature constitute the core of his creation and become one of the popular forms in the new century.During this period,the lyrics creation of excellent film drama songs was magnificent,and history and life narrative became important themes.At the same time,with the continuous prosperity of popular culture and the rise of Internet,the creation of pop music lyrics has formed the characteristics of "Carnival of gods".The fourth chapter comprehensively expounds the diversification,structure and homogenization of Chinese pop music lyrics since the new era,and studies and explains the pop music lyrics in this period from many aspects.With the decline of the lyrics of rock music,the creators seek new humanism in the decline of rock music and highlight the vitality of the lyrics creation of rock music.In the process of development,the lyrics of folk songs seek for change and change,showing a new paradigm of philosophy,aesthetics and poetics.The rise of we media has made popular culture "Disenchantment",resulting in we media music showing a complex and more diverse existence.The conclusion of this article summarizes the main characteristics of pop music lyrics since the new era.Chinese pop music lyrics follow the pace of Chinese contemporary literature and culture,conform to the trend of social and historical progress,and conform to the self-discipline of the development of Chinese contemporary literature,culture,art and music lyrics.The lyrics of Chinese pop music is a historical changing process from grand narration to individual speech.In the past 40 years,the creation of Chinese pop music lyrics also has some homogeneity,which makes the creation of Chinese pop music lyrics always confined to a certain situation of the modern times,and eventually leads to the homogenization of creation.