The Study Of The Association Between Tang Poems And Zuo Zhuan

As the "literature of a generation",Tang poetry not only achieved comprehensive prosperity,but also became the most popular literary style for scholars to show their talents and express their feelings and aspirations in the Tang Dynasty.Zuo Zhuan,as the biography of the spring and autumn classic,is known as the "most narrative" of Pre-Qin prose and has also had a profound impact on later literature.The publication of spring and autumn Zuo Zhuan justice,one of the five classics justice in the early Tang Dynasty,has increasingly highlighted the "prominent" position of Zuo Zhuan in the Tang Dynasty.As a classic,Zuo Zhuan will certainly permeate the knowledge structure of scholars in the Tang Dynasty and appear in the poetry creation of the model literary style of the Tang Dynasty.Although the academic circles have paid attention to the relationship between Tang poetry and the allusions of Zuo Zhuan,there is a lack of overall and macro comprehensive combing and research,and the existing research is not systematic and in-depth.Based on this,on the basis of comprehensively considering the poetry of the Tang Dynasty,this paper intends to make a more systematic and in-depth study on the relationship between the poetry of the Tang Dynasty and the Zuo Zhuan through the combination of types and cases.The first chapter examines the historical and cultural context of the acceptance of Zuo Zhuan by the Tang people,which is the starting point of the presupposition of the correlation between Tang poetry and Zuo Zhuan.The dissemination of Zuo Zhuan in the Tang Dynasty was mainly in the form of stone carvings and manuscripts.The publication of the stone Sutra played an important role in the final edition of Zuo Zhuan;In terms of content,it is most obvious in three aspects: the annotation of scriptures in the Tang Dynasty,the imperial examination and the compilation of similar books.From the annotation level,the compilation of Zuozhuan justice in the spring and Autumn period not only established the version of Zuozhuan,but also formed an official authoritative interpretation of the classic righteousness,which became one of the important resources of literati knowledge and thought in the Tang Dynasty.From the perspective of the imperial examination,in the 25 th year of Kaiyuan Dynasty,the Jinshi Section clearly revised the Sutra Zuo Zhuan,and the Ming Sutra in the Zhenyuan period of the Tang Dynasty was directly based on Zuo Zhuan.The establishment of the sanzhuan section and the interpretation of the Sutra by pinzhu in the middle Tang Dynasty made the study of spring and autumn become the focus of imperial culture,and the examination of selecting scholars with poetry and Fu also began to select questions from Zuo Zhuan.From the level of classified books,the literary and historical characteristics of Zuo Zhuan have become an important factor in the extraction of classified books.There are a lot of entries in Zuo Zhuan,a collection of the four categories of books in the Tang Dynasty,involving Korean employment,military affairs,geography,artifacts,birds and animals and so on.In addition,the class books made from the materials of Zuo Zhuan and the class books of Tong Meng are also important ways for the Tang people to accept Zuo Zhuan.The rich historical and cultural context of the spread of Zuo Zhuan in the Tang Dynasty made the connection between Tang poetry and Zuo Zhuan possible.Zuo Zhuan naturally became an important resource for the writing of "ambition" and "fate and emotion" in Tang poetry.The second chapter mainly investigates the citation of Zuo Zhuan in the poetry of the Tang Dynasty from the perspective of accepting the main body,timing and macro.There are totally 285 poems cited in the biography of poets of the Tang Dynasty.From the number of poems quoted from Zuo Zhuan,the middle Tang Dynasty is the most,followed by the prosperous Tang Dynasty,followed by the late Tang Dynasty and the early Tang Dynasty.Du Fu,Li Bai,Bai Juyi,Yuan Zhen and other poets cited Zuo Zhuan most.The poetry creation of poets in the Tang Dynasty mostly quotes the characters,images,allusions,words,scenes and other contents in Zuo Zhuan.This is the tradition of quoting classics in Chinese poetry production,which makes the poetry "dance in chains" show richer meaning within a limited language range.The reason why "dance" is possible mainly comes from the words in the multiple precipitation of history,and there are rich implied meanings behind each word.In the poetry creation of poets in the Tang Dynasty,the classical characters,images,vocabulary,stories and other contents derived from Zuo Zhuan are cited and activated,which comprehensively shows the multi-dimensional acceptance of Zuo Zhuan in the Tang Dynasty.The third chapter is mainly a case study,taking the poems of Li Bai,Du Fu,Bai Juyi and Yuan Zhen as examples to explore the acceptance of Zuo Zhuan in the poetry creation of poets in the Tang Dynasty.From the perspective of the inheritance of Zuo Zhuan,these famous poets are the recipients of Zuo Zhuan;From the perspective of poetry production,these poets are the main body of creation.In the chain of Zuo Zhuan poet poetry,the poet is in the central position,which is the basis for examining the acceptance of Zuo Zhuan with the poet as the center.Li Bai’s poetry of imprisonment and exile of Yelang,which quotes Shen Baoxu,Zhong Yi and Bao in Zuo Zhuan,is the identity and spiritual portrayal of Li Bai’s exile due to the Yongwang incident.In terms of poetry theme,Li Bai cited Guan Bao’s friend,gift policy around the dynasty,brocade making and cutting,the friend of chimera,passing on melons and good cranes in Zuo Zhuan in his gift and farewell poems,which demonstrated the feelings of good friends,praised the political achievements of relatives and friends,and expressed Li Bai’s ideal of actively entering the world and pursuing immortal life.From the perspective of words,Li Bai’s classical sentences in Zuo Zhuan are either "directly used" or rearranged and combined,which can not only learn from his words,but also bring forth the new.In terms of poetic scenes,Li Shi used the war scenes in Zuo Zhuan many times to reflect the current situation at that time.Du’s poems quote the images of kings,princes,historians and counsellors in Zuo Zhuan,or self metaphor or human metaphor,and reveal the relationship between kings,officials and friends through character writing.Du Shi’s quotation of the sentences in Zuo Zhuan is not a simple repetition and citation,but an emotional expression by changing and adding words.Du Fu cited the events of Shun’s selection of 16 nationalities and the promotion of Duke Wen of Jin in Zuo Zhuan,which reflected the view of monarch and minister that you can choose good officials,make officials polite,Minister and Minister loyal,and minister and minister can advance and retreat.Bai Juyi cited the allusions of Zuo Zhuan,which are mainly divided into synopsis and language allusions,of which synopsis is the main one.The literary writing characteristics of Bai Juyi’s citation of Zuo Zhuan are composed of poetry evaluation,the expansion of word meaning and criticism by material images.Yuan Zhen was demoted to Jiangling and used the historical events and characters of the state of Chu in Zuo Zhuan to create poetry.He criticized the dictatorship of eunuchs in the middle Tang Dynasty and admonished the rulers to employ sages."Wei Xuanhe" expresses different attitudes towards people and affairs,and "participating in business" describes the feelings of parting from friends.Yuan Zhen’s thought of serving the king and the people is expressed in the poem "praying for moves".The fourth chapter examines the writing of characters in Zuo Zhuan in Tang poetry.This part takes Zhong Yi and Xi GUI in Zuo Zhuan as cases to discuss."Nanguan","Chu prisoner","Nanyin" and other words are the main key words cited by poets in the Tang Dynasty.Chanting poems,farewell poems,singing and replying poems are the main poetic themes of Zhong Yi in the Tang Dynasty.The writing of Zhong Yi’s multiple identities in Tang poetry is reflected in the aspects of prisoners in prison,South crown gentlemen,exiles and exiles,and people in garrison and so on.The weakening of Zhong Yi’s official status,the acceptance of prisoners and gentlemen in prison,and the reconstruction of the new identity of exiled,garrison and exiled people are the rejection,acceptance and re creation of Zhong Yi’s identity in the Tang Dynasty.The writing of "Zhong Yi" in Tang poetry is reflected in the psychological and physical identity of the poet’s mentality in the Tang Dynasty,which shows the poet’s feelings of family and country,reveals the poet’s outlook on time and life,and shows the poet’s outlook on official seclusion.Tang people introduced Xigui into poetry and reconstructed the image of Xigui,a resentful woman and God,by using various writing methods such as grafting,shifting,evolution and filling in white.Xigui writing in Tang poetry is a combination of history and poetry,which is compatible with the poetic tradition of narration and lyricism;The change of Xigui’s living area is related to the geographical location of the exiled literati;Xigui Temple set up in Xidi and Chu has been chanted by the poet for many times,which shows the Chu witch culture in the South and the exchange and integration between the Central Plains culture and the southern culture;Xigui’s deeds of "one thing and two husbands" touched the scholars with complex identities in the special period of the replacement of the Yi Dynasty,highlighted the outlook on life of the scholars in the late Tang Dynasty,and had typical cultural significance.The fifth chapter discusses the writing of images in Zuo Zhuan in Tang poetry.This part selects "demons and monsters" and "Wei Xuanhe",which are most cited in Tang poetry,to discuss."Ghosts and monsters" generally refers to ghosts and monsters.From the extended meaning,it refers to disaster and evil people,which is harmful.From the perspective of etymology,"ghosts and monsters" have the characteristics of ghosts and gods and mystery.The writing of "ghosts and monsters" in Tang poetry is mainly reflected in exile,disease,confusion,religious customs,knife painting,moon shadow and so on.The writing of "demons,demons and monsters" reflects the treasure of life of the Tang people,reflects the religious view of scholars,and enriches the creative style of poetry.Tang poetry created a variety of Wei Xuan crane images.The images of crane,Xuan crane and pet crane are the inheritance and reproduction of the text and meaning of Zuo Zhuan.The images of old crane and sick crane were created by Tang poetry.The writing of Wei Xuanhe in Tang poetry reflects different views of official seclusion,either hesitating in entering and leaving the world,or showing a positive spirit of entering the world,or yearning for seclusion life.In addition,it also reflects the concept of professional talent that is contrary to position and talent,and shows the criticism of officials who get something for nothing and eat all day.In a word,annotation,imperial examination and similar books promoted the spread of Zuo Zhuan in the Tang Dynasty.The poets of the Tang Dynasty constantly quoted the characters,images,allusions and language of Zuo Zhuan in their poetry creation.Through the style of poetry,they constantly highlighted some connotations of Zuo Zhuan and transformed them in the inheritance,so that the historical things had fresh vitality in the cultural soil of the Tang Dynasty and became an important carrier of poets’ narration and lyricism.The relationship between Tang poetry and Zuo Zhuan not only expands the expressiveness of Tang poetry,but also enriches the connotation of Zuo Zhuan.The so-called classics are the perfect combination of history and the present.The marriage between Zuo Zhuan and Tang poetry not only confirms the classic status of Zuo Zhuan,but also makes it possible for Tang poetry to become a generation of classic literature.