Research On The Evolution Of Wang Liuqiu's Oil Painting Style

Wang Liuqiu is a famous painter in the history of Chinese art in the 20th century.His continuous artistic pursuit makes his artistic style present a unique appearance at different stages and has a certain influence in the modern painting world.Adhering to the principle of "knowing people and discussing the world",this paper puts it in the interaction of multiple relationships,focuses on Wang Liuqiu's several main artistic choices and style changes,reveals the evolution process of Wang Liuqiu's art under different social backgrounds and artistic trends,and tries to highlight the common characteristics of an art group.The first chapter mainly studies the painting style of Wang Liuqiu,who is new to the field of oil painting.Firstly,taking the artistic turn as the starting point,this paper investigates Wang Liuqiu in the specific historical stage of literary and artistic transformation in the early stage of the founding of new China,and reveals the multiple factors why Wang Liuqiu's creation changed from printmaking to oil painting.Secondly,starting from the representative work of Wang Liuqiu's early oil painting "Huaihai Campaign-the third stage of general attack encirclement",this paper analyzes its technical characteristics.Thirdly,further study Wang Liuqiu's learning experience in the"Teaching Classes of Maximov",investigate Wang Liuqiu's personal thinking and choice,and combined with the interpretation of images,highlight Wang Liuqiu's narrative attitude and expression in the painting creation of revolutionary historical themes at this time.The second chapter combs and clarifies the development context of Wang Liuqiu's integration of impressionist painting style.Firstly,through relevant materials,this paper presents the preliminary transformation of Wang Liuqiu's painting style during his teaching in the middle school attached to Zhejiang Academy of fine arts,and deeply explores the ideological root of the transformation from the early days of the founding of the people's Republic of China to this time.Secondly,it re analyzes his painting creation in prison during the "Cultural Revolution",and reveals that the main purpose of Wang Liuqiu's painting in prison is psychological adjustment",and the overall tone of his work is to record and describe life.The creation of "paint painting" in prison is the "pursuit"under multiple restrictions in a special environment,and on this basis,it further analyzes its painting language.The third chapter focuses on the transformation and style characteristics of Wang Liuqiu's paintings in his later years.Firstly,it comprehensively expounds various factors affecting Wang Liuqiu's painting reform in his later years.Secondly,starting with national art,western modern art,children's painting and music,this paper explains the origin of his artistic style in his later years.Thirdly,starting from the painting practice,it summarizes the pastoral interest,childlike innocence and urban elegance contained in Wang Liuqiu's painting in his later years;The formal characteristics of his painting are summarized as tension picture composition,childish and simple image modeling,chaotic but not chaotic color and line language.In the epilogue,the author tries to investigate Wang Liuqiu,an individual of art from the grand landscape of modern Chinese art,and reveals the relationship between the evolution of artist's personal style and the change of the times,and shows its academic significance for the study of modern art history.