Tools of empowerment: The use of magic, voodoo, and the supernatural in the novels of African-American women writers | Posted on:1998-07-26 | Degree:Ph.D | Type:Dissertation | University:Kent State University | Candidate:Umrigar, Thrity N | Full Text:PDF | GTID:1465390014478839 | Subject:American literature | Abstract/Summary: | PDF Full Text Request | Contemporary black women writers make generous use of Africanist spirituality, which includes the use of magic, voodoo, and the supernatural. In each of the four novels examined here--Gloria Naylor's Mama Day, Paule Marshall's Praisesong for the Widow, and Toni Morrison's Sons of Solomon and Beloved--the protagonist is empowered in his or her quest for a new cultural identity and a richer sense of community by either a supernatural event or by an older ancestral figure who possesses supernatural powers. Using a close textual and cultural reading, which includes elements of black feminist criticism, I argue that black women writers are making a political statement by creating characters whose strength comes from a reclaimed African spiritual heritage, including magic, voodoo, and the supernatural.;Chapter One is a brief historical overview of the role played by black women in various African-American religious and social movements. Chapter Two explores the literary and political concerns of these writers and discusses how their use of the supernatural addresses some of these concerns.;Chapter Three mediates between the two archetypes common to the four novels--the materialistic, pragmatic, alienated, self-reliant black who duels with the wise, Africanist, communal, spiritual, otherworldly ancestral figure. Chapter Four discusses how the protagonists discover their identity and cultural history after being aided by either a supernatural event or the ancestral figure. Chapter Five explores the concept of community as defined by black women writers and how a newly formulated sense of identity enhances and fosters community.;Chapter Six, the conclusion, makes the case that as the United States stands on the verge of becoming a truly multi-ethnic nation, the central message of the novels of black women writers--that one must look to one's past and specifically to one's spiritual heritage in order to create a healthy, integrated future--is useful not just to black Americans but to all Americans. | Keywords/Search Tags: | Women writers, Supernatural, Black, Voodoo, Magic, Spiritual, Novels | PDF Full Text Request | Related items |
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