Persistencia de la cosmovision y la concepcion espacial indigenas en imagenes andinas de la religiosidad cristiana: Una descripcion de tres objetos culturales de los siglos XVII y XVIII en Per | Posted on:2014-04-17 | Degree:Ph.D | Type:Dissertation | University:University of Minnesota | Candidate:Pilares, Nelly | Full Text:PDF | GTID:1450390008954414 | Subject:Latin American Studies | Abstract/Summary: | | This dissertation involves an analysis of three Colonial Peruvian texts to argue that the religious images as treated in Guaman Poma de Ayala's Primer nueva coronica y buen gobierno; Juan de Espinosa Medrano's drama El hijo prodigo; and a well-known painting La Virgen del Cerro, reveal the persistence or presence of an Indian worldview; that the Indigenous signs and Inca's distribution of the space have a continued presence within the Andean-Christian religious vision.;This work is anchored in a semiotic analysis of theater and painting; in the perspective of cultural hybridity advanced in the work of Garcia Canclini, Gruzinski and Morana and in the postcolonial perspective of Mignolo and Quijano. | Keywords/Search Tags: | De la | | Related items |
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