| China has a long tradition of porcelain making,and porcelain making technology is accompanied by the decorative technology of porcelain surface.In the long development process of porcelain making,porcelain decoration gradually formed a set of relatively independent and open art system.Since the yuan dynasty,Chinese porcelain decoration has entered the period when painting(Chinese painting)is the most important technique.Painting,as the main form of decoration,has lasted until now through the Ming,Qing and the Republic of China.The geographical and cultural field of "ceramic painting system" is exactly Jingdezhen,which is also known as "the capital of porcelain".Research on porcelain decoration in different historical periods in ancient China is immense,but the Republic of China as the transformation of the traditional and modern collision period,porcelain research but about this time,in many porcelain history narrative,"the decline of the Republic of China" has become the mainstream,and study of porcelain painting is almost "blank".Clearly,no history can be summed up simply as "decay".Standing on the level of the great history,the Republic of China is the key time node connecting the preceding and the following.Even based on the small history of the development of porcelain painting,the Republic of China was also an important stage that could not be ignored.The pioneering porcelain art of light crimson and new pastel,as well as the group of porcelain painters like "eight friends of Zhushan",were all born in Jingdezhen area during this period.Therefore,this article will research focus in the period of the Republic of China Jingdezhen,with pale purple,new enamel these two porcelain painting,innovation as the way through a lot of literature research and image analysis,reflect on the traditional discourse system of the Republic of China under the theory of "failed",and tries to from the development of Jingdezhen porcelain,Jingdezhen porcelain of modern reform of the Republic of China,the Republic of China Jingdezhen porcelain painting style evolution,etc.,to draw the outline of a more three-dimensional ecological landscape of Jingdezhen porcelain of the Republic of China.At the same time,through the analysis of composition,shape,color,technique and content at the level of form,the paper analyzes the "new" and "old" displayed by the porcelain painting art of Jingdezhen in the Republic of China,that is,how to interact with The Times while inheriting the tradition.Finally,the author reflects on the self-renewal mechanism of porcelain decoration in Jingdezhen in the Republic of China from three aspects: the combination of visual art language and porcelain decoration,the integration of Oriental aesthetics and western techniques,and the integration of traditional technology and modern production.The purpose of historical research is not to give the final verdict,but to shorten the distance between researchers and history.Putting aside the prejudice of "decline theory",rethinking the porcelain painting history of the Republic of China will undoubtedly help deepen the cognition of the porcelain industry of the Republic of China.Through the discussion of this paper,the author hopes to present such a historical picture: every attempt and innovation of jingdezhen craftsmen is the result of individual or even a traditional industry based on local and diversified integration in the face of great era change,fierce impact of industrialization and western civilization.These practices,though,have not a unified and clear direction,some belong to by external forces of top-down modernization reform,some out of perfect and changes within the system itself,but overall is in a "Confused period" phase(fuzzy),is the so-called "pleasure",but a kind of self exploring groping stage,presented a kind of new and old mixed multiple state,it is these practice constitutes the new trend of Chinese porcelain art,for the future development of Chinese porcelain painting laid a foundation. |
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