| The Ming people like to explore poetics and are keen to study and summarize the experience of poetry creation appreciation from different angles.In recent years,with the deepening of research,the characteristics of the "sound" in the poetics of the Ming Dynasty became clear,and the Shisheng of the Ming Dynasty began to appear.Reading poetry is an important aid for the creation and appreciation of poetry by the ancients.However,due to the limitations of the way of acoustic preservation,the record of how the ancients used art to practice with sound has not attracted the attention of most researchers.From the early Yinyongxingqing to the education of young children by the use of Yinsong in the Ming and Qing dynasties,it is a way to inspire artistic creation by means of sound.Yinsong is the way to read poetry according to the rhythm of poetry.Most of the people who could Yinsong at the moment are older gentlemen who have received private education.There are few clear theoretical standards for oral communication,so comparisons between preservation,learning and communication are difficult.Based on the research results of the poetics of the Ming Dynasty,this article is based on the literary research of the Ming Dynasty,the literature of poetry activities,and the information about poetry in the selection of the poems,with the Metrical Poem that emphasis on rhyming and method as the starting point,The research trying to reveal value of the Shisheng in the Ming Dynasty highlights the true changes of way to appreciation Chinese classical poets.The research starts from the problem and is mainly divided into six chapters to explain:The first chapter is based on the study of the Shisheng of the Ming Dynasty and Metrical poem Yinsong,points out the main problems of the study and defines the concept.Firstly,it traces and interprets the basic concepts such as sound reading,and analyzes the internal mechanism of ancient Yinsong.Secondly,it is clear the theoretical value of the Yinsong of ancient poetry creation and appreciation.The third section focuses on the relationship between "Metrical poem change" and "Metrical poem Yinsong" to explain the value of Metrical poem Yinsong as a representative poetry.The second chapter explains the theoretical basis of traditional Shisheng,and selects the representative literature of poetry theory in history according to time and influence.The first section discusses the origin of traditional Shisheng theory from the beginning of poetry;the second section focuses on the representative literature of the period when the sound consciousness is born to represent the poetry theory;the third section is the basic period of the expansion of traditional Shisheng theory before the Ming Dynasty.The literature is the research object;the fourth section combs the mature stage of the Ming Dynasty Shisheng theory,and initially explores the development track of the Shisheng in the Ming Dynasty.The main body of the thesis is based on the central argument of the Shisheng of the Ming Dynasty.Taking the typical poetry author’s theory of Metrical poem as an example,it analyzes its composition in depth,sorts out the development context,and summarizes the emphasis of Shisheng theory in different periods.The third chapter takes Li Dongyang’s "Lutang Poetry" as the research object,and from the poetic features,select poetry by sound,and the pursuit of "beautiful and lively" beauty tone,it is the representative of the poetry creation skills was valued in the early Ming Dynasty.The fourth chapter is about the Qianhouqizi and others as an example to discuss the mature and reflective period of the Ming Dynasty poetry theory.In the first section,the representative poems of Li Mengyang and Xie Zhen from the Qianhouqizi are selected to illustrate the theoretical value of poetry in the mature period.The second section explores the poetic concept of Yang Shen and Xu Xueyi who represent the theoretical reflection.This paper analyzes the core and theorization of acoustic factors in poetry creation in the middle and late Ming Dynasty.The fifth chapter sets up the topic to explore the change of the reading poetry style in the Ming Dynasty from the poetry commentary point.Firstly,it discusses the apprehension method of the poetry recognition recognized by the society in the early Ming Dynasty based on the commentary of Liu Chenweng in the Tang Poetry Collection.Secondly,the analytic formula of Jin Shengtan in the late Ming Dynasty is discussed.The characteristics and value of poetry are analyzed.The differences between the commentary poems in the early Ming Dynasty are analyzed.The two evaluation methods of the Metrical poem are compared,revealing the development trend of poetry evaluation with the weakening of acoustic factors.The sixth chapter summarizes the study of the Shisheng and the value: the first section is a summary of the Shisheng theory in the poetry society,or scattered in the Shihua and Shifa,analyzes its value and inheritance.The second section is based on the above research results to summarize the significance of the Shisheng acoustics of the Ming Dynasty by Metrical poem Yinsong.The third section summarizes the research on the innovation and value of Shisheng in the Ming Dynasty from the perspective of Metrical poem Yinsong. |
