Metaphors And Narratives Of Zhuangzi

In the Chinese classical poetics and literary theory system,“Imagery” is an important research object.As a way of cognition,thinking and expression,imagery is widely used in literature,history and philosophy.The pre-Qin period is the period and formation period of the concept of “Imagery”.The theoretical summary of “Imperial imagery” in Zhou Yi and the extraordinary practice of Zhuangzi’s “image-seeking” are the important achievements of classical scholars in this period.The thesis takes Zhuangzi’s understanding and application of “Imagery” as the research object.Through the cultural trace,the formation mechanism and structure of “Imagery” are discussed.The formation of “Imagery” has a direct relationship with the production and life style dominated by farming civilization in the two-week era,an in-depth observation of the laws of nature,a comprehensive summary of historical experience,a high degree of attention to social issues,and a poeticization of life feelings.Expression is the historical and practical reason for the widespread influence of “imagery”.The focus is on the analysis of Zhuangzi’s thoughts and the text of Zhuangzi.From the perspective of expression,a new definition has been proposed on important concepts such as “Imagery”,“Imagery” and “Imagery” in the previous “Imagery” research.“The image of things” is a dual induction of man and nature.It not only includes the cognitive grasp of the existence of objective things and the law of movement,but also the summary of human history and current situation.It is a linguistic form with prototype meaning and cultural connotation.“Language” is based on the initial formation of the national common language.Through meticulous language organization and subjective aesthetic creation,with metaphors,symbols and other rhetorical devices,enrich content,condense emotions,optimize effects,improve the artistic level of thought expression.“Things” is the use of artistic creations such as depicting scenes,plotting plots,and shaping characters under the conditions of mature language narratives.In a dynamic,diachronic and interactive way to form an “Imagery”.It opened the way for the development of narrative literature.The exploration of “Imagery” by Zhuangzi and his descendants is an inheritance and promotion of the achievements of the previous generation of civilization.It is based on the premise of adapting to the tasks of the times,further enriching the way of expression of literature,in “poetry” and “history”,on the basis of the two styles of lyricism and narrative,the theory and literature have been fully developed,and the spiritual transcendence of literary thought and the historical transcendence of literary practice have been realized.