Vivid And Fragrant Writing Also Works

I have selected Yun Nan-tian's two Albums of the same name Sketching in Ou Xiang Guan as the entrance of my thesis,take artistic language as my entry point,basing on historical documents,try to make a big fuss over a minor issue with my research.This paper reinterprets the essence of "Nan-tian mo gu" from the perspective of "take revealing nature as one's purpose of painting",and focuses on two points:one is to think about "Nan-tian mo gu" in the shape and the relationship between brush and ink under the influence of "Nan Bei Zong",and the other is to examine''mo gu" in " Nan-tian mo gu" in the perspective of "from calligraphy into painting".Aiming at this theme,on the one hand,through the study of the material,shape of the album,shape of the items in his painting,writing style,using color,choosing theme,composition and other elements in the album,analyze his individual language characteristics and its composition laws.On the other hand,explore his artistic thought,aesthetic connotation and legacy.This paper,from the perspective of "fa" to"li",explores the morphological features of "Nan-tian mo gu",reveals the personality traits of "freehand also with meticulous "style,and try to provide a reference for our cognition of individualized artistic language.