Analysis Of The Phenomenon Of Chinese Pan-comedy In The New Era

With the mainstream development of popular culture,"comedy aesthetics" is becoming the dominant aesthetic principle.At the same time,sometimes alienation and spiritual deviation inevitably appear.In the process of social and cultural development in China,comedy and sketches are flourishing for a while.The way of comedy communication is the catalyst that causes people to laugh and relax.It also shows that the public needs to vent.This paper attempts to analyze the current situation and essence of comedy under the pan-entertainment phenomenon from the perspectives of communication,aesthetics,sociology and psychology,analyze its causes,clarify the social significance of its universality,and improve the integrity of comedy theory itself.From the late Qing Dynasty to the early days of the founding of the People’s Republic,there were far more classic tragedies than comedies.This creative phenomenon coincided with people’s living conditions at that time.Blood and fire were once the main elements of life.We seldom find laughter from them.In recent decades,with the improvement of people’s living standards and the enrichment of spiritual culture,comic factors have begun to gather widely.Through research,we discuss the historical review of pan-comedy era in detail from three periods.First,in ancient Greece,ancient Greece was the origin of comedy.From "old comedy" and "new comedy",we can see the comedy characteristics of ancient Greece and Aristotle’s comedy narrative theory.Second,we can see the comedy aesthetics and its evolution from Renaissance,mainly based on the works of Shakespeare and Moliere.The object of study is to sum up the commonness of comedy works in Renaissance.The last part is the focus of our research.It tells about the traditional Chinese comedy consciousness and the analysis of the traditional Chinese comedy from the philosophical and aesthetic point of view.It also analyses the audience’s aesthetic psychology of comedy at that time.Because of the development process and the particularity of the social environment,Chinese traditional comedy culture also shows the characteristics of diversification in the production of comedy works,so it can not be simply classified by a certain paradigm.In this cultural environment,the study of the production behavior of comedy text will receive further attention and have a far-reaching impact on the trend of culture.The two words of "entertainment" and "comedy" are intrinsically related and essentially different.The works of comedy style have obvious entertainment,but they can’t be completely equated.Entertainment is a kind of spiritual pleasure phenomenon of human beings.Entertainment forms such as ubiquitous games are entertaining,but not comic.Entertainment is also an activity that people need and expect to “evade” the pressure of reality.Through this kind of activity,they can get the pleasure and pleasure of body and mind,achieve spiritual relaxation,and release negative energy.Although different art may have different creative intents,in addition to the original intention of these creations,there is a common purpose of entertainment.Regardless of the art,the primary goal of pursuit is entertainment,and other ideas are second,and entertainment is indispensable in people’s lives.Nowadays,the development of productivity and the opening of civilization have provided us with the conditions for entertainment.The new media has created convenient conditions for people to entertaining unprecedentedly,so that people’s long-lost entertainment interests have emerged,making it easy for people to enjoy each.The artistic expression of entertainment is comedy.Comedy is a spiritual entertainment with plots.Only when it is a story that is entertaining and has the content of the plot,it is comic.The art form of pan-entertainment is comedy.From the rapid development of the media,we can see that the phenomenon of "pan-entertainment" revelry is essentially a problem of the mainstream spirit of the society.It is a superficial and numb spirit to abandon humanistic spirit and alienate solemnity and reality.It is not simply the demand of mass culture,but the ignorance of individual life.Pan-entertainment is manifested by low-level sensory entertainment,lack of thought and human rationality.Today,with the advent of the era of pan-entertainment,the emergence of new media has once again changed people’s lives.The development of entertainment industry is progressing with the development of new media industry.Entertainment belongs to the super-ideology of the media manifestation.The new media has changed the traditional cognitive system of human beings and broken and reconstructed the boundaries of human cognition.It is normal for people to have entertainment needs,but because the media to achieve their own interests lead to demand alienation and generalization,classical aesthetics is severely squeezed by desire,in the face of economic interests,status no longer occupies a dominant position,mass culture will lose its artistic value.If we do not grasp the scale,blindly adopt a catering way,entertainment will become an economic carnival,or become a "show" game.Since the 1980 s,Chinese dramas and comic works have shown different comic spirits,and gradually formed a unique landscape in the history of comedy development.Comedy is a unique style of drama theme,but the traditional Chinese culture has not increased the attention to comedy,so the spirit of comedy can’t be effectively carried forward.In recent years,Chinese people advocate independence,freedom and democracy,and comedy has gradually become a work to replace the voice of Chinese people,forming a comedy spirit with the characteristics of the times in the new era.The "laughter" of comedy has social significance,including the denial and contempt of ugly things.The works of comedy type should have more rationality while they are pleasant in mind.While catering to the public aesthetics,how to achieve the essence of comedy aesthetics "combining solemnity with harmony" and how to combine it with the trend of pan-entertainment "combining education with pleasure" is the focus of this paper.Under the pan-comedy culture,the audience has the psychological appeal of entertainment,and the form of comedy transmission caters to the psychological needs of people.From the point of view of the spiritual noumenon of Comedy-freedom,and combining with the aesthetic characteristics of comedy aesthetics,we use phenomenal description instead of theoretical logic to elaborate on comedy aesthetics.Traditional comedy concepts mainly dress up as "ugly",so some comic elements are expressed on the clown,which inevitably leads Chinese comedy to a narrow development path.Modern satirical comedy breaks through the traditional effort of expressing itself,strengthens the connection with social reality,generates a kind of comic aesthetic feeling of comic melody,narrative techniques from traditional endorsement narration to the pursuit of new discourse presented by modern dialogue,which not only means the change of the external form of discourse,but also marks the transformation of the internal mechanism of discourse.This paper analyses the phenomenon of pan-comedy in the context of pan-comedy from four angles of economy,philosophy,social culture and social psychology,and then defines the ideal state of entertainment in the era of pan-comedy from four aspects,namely,"Entertainment should have scale,entertainment should have boundaries,entertainment should have culture and entertainment should have spirit".Entertainment is a practice of comedy,but how to avoid its vulgarization and vulgarization? How to break the spiritual gap caused by shallow spiritual pleasure and fast-food pleasure? In today’s comic era,in the process of the growth and spread of pan-entertainment,we should not conceal the problem,nor stop criticizing it.In the process of reflection,we should provide benign regulation for it and promote the value of freedom on the way of cognition.