"Kerqin Right Front Banner Mongolian Fire Sacrifice Ceremony" Documentary

Documentary is a film or television art form,which takes real life as its creative material,takes real life as its object,displays reality as its essence,and causes people to think with reality.Documentaries have the advantages that traditional research methods do not possess.They can collect vivid,image and authentic firsthand information.If culture is traceable,if people can "see" culture,and can study and analyze it again and again,the documentary will be a direct choice.The documentary on the memorial fire ceremony for the Mongolian nationality of Horqin Right Wing banner is a way of combining and applying the traditional and new techniques to record the outstanding traditional customs and cultural forms of the gradually forgotten Mongolian nationality,which is also a particularly urgent task at this stage.Many writers have published books and papers on the Mongolian fire sacrificial custom,but few of them have been studied with a flag or smaller units.It is particularly rare to use documentary methods to combine visual sound and track records in a documentary way.The documentary on the memorial fire ceremony for the Mongolian people of Horqin Right Wing Front Banner is to select the two of the two,the Bai tiizhuang and the arguru GGA of khorqin Right Wing Front Banner,peach and sunkacha,and the ritual fire custom of La moon 23 and La 24.Including the preparation of "Ala F I"(Mongolian called ALAXIN MIHA GARGAHV);cleaning the house,packing the courtyard;preparing for the match;boiling the sheep breasts;making the "gingleng A Mu Su"(Mongolian name called GALEN AMUSU);sacrificing Fire God;offering sacrificial fire rice(called the GALEN AMUSU HURGEHU)and the Mongolian fire ritual of Horqin Right Wing banner.The historical changes,the taboo of offering fire,the collective sacrificial fire,and the historical records of Mongolian sacrificial rites.