The Historical Theory Of The Aesthetic Category Of Japanese "things Sorrow"

"Mononoaware",in Japanese writing is "??????".It's a core category of Japanese aesthetics.The reason why the study of "mononoaware",because by researching the " mononoaware " can grasp the essence of Japanese aesthetic culture.Today's research of "mononoaware" focuses on two aspects:The first is the analysis of the works of the monogatari literature in the Heian period.The second is the research of the origin of Motoori-Norinaga's Mononoaware theory.In fact,this is far from enough.The first,up to five hundred years of the middle Ages also put"mononoaware" as the spirit of the bottom flow;The second,The protagonist of the"Mononoaware" theory and the discourse construction in the field of literary theory;The third,Modern Japanese literature is characterized by diversification in the"mononoaware" aesthetic.Therefore,research the aesthetic of "mononoaware" must be placed in the history of Japanese literature as a whole."Mononoaware" has a specific aesthetic connotation,and with the development of the times,the aesthetics connotation is constantly enriched.This paper includes five chapters.Follow the two lines of history and logic,examining the dynamic changes of "mononoaware" in the history of Japanese literature.At the same time in accordance with the concept of their own development,which are budding stage,embryonic stage,deepened stage,established stage,and unfolded stage,,explain the different stages of the aesthetic connotation respectively.The first chapter studies the relationship between Japan 's earliest Mononoaware theory and the "Wugan" theory in ancient Chinese literary theory.And then studies "mononoaware" in the ancient literature,also analyzes the relationship between "??????" and "mononoaware".We think that cardiac sensation is the original aesthetic connotation of "mononoaware",which originated in C hinese Wugan theory.Kokinn-wakashu's "Kanajo" and "Manajo" imitate "Poem preface",form the prototype of the Japan's earliest Mononoaware theory.In the process of "material" and"emotion",assimilate into the slender feeling of Japanese ancient people on the natural things,so as to form a sense of "sensation" that is different from the Chinese Wugan theory.Therefore,"mononoaware" in the Japanese ancient literature,which performed exquisite and specific moving as its main features.Japan's "mononoaware"is different from the Chinese "Wugan".Japanese make "??????" as this concept,it is emphasized that voice is the key to determine the semantic.So We should understand the original ecology of "mononoaware" in the context of Japanese culture.The second chapter studies from the criticism of Monogatari's theory of Murasaki-sikibu,into the text analysis of the "Genji monogatari",and then analyzes the internal relationship between "Mononoaware" and "impermanence".We think that negative "impermanence" is the aesthetic connotation of the embryonic stage."mononoaware" which make the "emotion" as the core of the aesthetic connotation,withstood the baptism of buddhism in Heian period,refined into a literary work of impermanence that in nature,life,society and death.At this time of the"mononoaware" only stop at the "sad" feelings,not reach the realm of silence.The third chapter researches the "Mononoaware" throughout the development of the Middle Ages.The paper analyzes its manifestation in hermit literature,the position in the "Yugen" theory,and collide with the aesthetic of the spirit of Bushido.We think that "Mononoaware" has three aesthetic connotations in the development stage.The first,with the integration of "Tao","mononoaware" deepened into a positive"impermanence".The second,In the "Yugen" theory embodied in the sadness of the sad,narrow sense of the Yugen,Yojyo,Yushin.The third,By the baptism of Zen spirit,assimilate into the spirit of Bushido,generates the "martyrdom of death" connotation.The fourth chapter researches the "Mononoaware" theory's establishment in Edo era.focuses on the hidden motive and aesthetic discourse construction process of the "Mononoaware " theory.And then analyzes the relationship between the modern literary theory and the theory of " Mononoaware ".We think that aesthetic meaning was natural human praise when "Mononoaware" theory was established.Essayist in Edo outline the humanity pedigree in Edo literary theory.Motoori-norinaga's Mononoaware theory is on the extension of this pedigree.Motoori-norinaga used the phonetic centrism approach to reverse the relationship between kana and kanji,made the "???" as the center of aesthetic discourse which has Japanese characteristics.Therefore,the nature of its object is human theory.So the "Mononoaware" in Edo literature is presented in the contest between Ninjou and Giri.The fifth chapter explains "mononoaware" aesthetics in the modern times.Emphasis three representative writers:Tanizaki-junitiro,Kawabata-yasunari,and Mishima-Yukio.Their literature have different "Mononoaware" connotation.We think that "Mononoaware" Shows three aesthetic faces in the modern stage of the development.he world's aesthetic experience of suffering,sympathetic aesthetics and ideology.Specific to the literature,show a different aesthetic connotation."Mononoaware" in Tanizaki-junitiro is "shade",in Kawabata-yasunari is "beauty of grief",and in Mishima-Yukio is "destroy".