On Ci Poets Of Jiaxing In Ming Dynasty

In recent years,Ming Ci poetry research is deepening,and the most important part is the research on Ci in the Taihu area.Jiaxing is also an important part of the Taihu rim.Compared with Ci in the Ming Dynasty and other regional,Jiaxing Ci had both generality and individuality,and reached its peak and played a very important role in the late Ming Dynasty.However,compared to Wuzhong and Songjiang,the research on Jiaxing Ci still been in an urgent state.Therefore we take this as the research object carries out the research.The opening chapter gives a brief overview of Jiaxing Ci poets and their creation overview of the Ming Dynasty.Through reorganize the contents about historical evolution,geographical environment,social economy,cultural personality etc,to explore the regional characteristics of Jiaxing Ci poets' living environment.Through divided the creation stage of Jiaxing Ci poets and reorganize the Ci poet group,to comprehend the overall development of Jiaxing Ci and thespecific situation of Jiaxing Ci poets.In chapter two,the Jiaxing in the Jiaxing Ci poets' compositions and the Qingli style of Ci poetry.The landscapes are brisk and beautiful,And the human landscape,such as the historic sites and the gardens,show the quiet anchoret ethos.In a word,the Jiaxing in the Jiaxing Ci poets' compositions exhibit the style of Qingli.In chapter three,Buddhism,Taoism and the Chaochen Kuangyii style of Jiaxing Ci poets' compositions.There are a lot of Buddhist temple and Taoist temple in Jiaxing.Jiaxing Ci poets had a close relationship with Buddhist and Taoist.Buddhism and Taoism affects them and their compositions.Concretely expressed as the use of Buddhist and Taoist images,and the attendant effect of regulating emotional expression.This made the Ci poetry with the charm in seclusion,Emotional expression is also more implicit.These had contributed to the Chaochen Kuangyi style of Jiaxing Ci poetry.In chapter four,the art accomplishment of Jiaxing Ci poets and their pursuit of composition.Jiaxing had a strong artistic atmosphere in Ming Dynasty,the Ci poets also had exceptional artistic talent,which showed a great influence on their composition.Especially on the Ci poetry-c onception of water-and-ink landscape,the application of cold tone technique and the aesthetic characteristics of more emphasis on spirit,put a big contribution to the Qingli Xiaosan style of Jiaxing Ci poetry.In addition,there are some other performance of painting elements in Ci poetry,such as the Ci poetry of Tihua,writing techniques of painting in the Ci poem,and the use of painting vocabulary.In chapter five,the study on the schools of Jiaxing Ci poetry,the function of distinguished families and Wang Wu to Liuzhou-Ci school.Two of the four big Ci schools in late Ming and early Qing are Jiaxing's,Liuzhou-Ci school in Jiashan and Meili-Ci school in Jiaxing,both of them constructed the status and glory of Jiaxing Ci.This chapter aiming at the development of Jiaxing CI school in the "Ming Dynasty",and based on the research status,focus on the creation of the early formation of Liuzhou-Ci school.We see that the formation of Liuzhou-Ci school not only can be chalked up to the influence of distinguished families on Jiaxing Ci poets in spirit and in support of the material,but also cannot do without contact between Wang Wu and other Jiaxing Ci poets.Under the joint action of the two,Jiashan Ci poets made contact and responsory activities frequently,and promoted the publication of Ci poetry anthology.At the same time,the preface and postscripts which mostly written by distinguished families also completed the construction of Jiaxing Ci and Ci theory.Thus,Liuzhou-CI school formally formed.In chapter six,the concept of Ci poetry of Jiaxing and its influence on creation in Ming Dynasty.When the Liuzhou-Ci school was formed,at the same time,the Ci theory of Jiaxing has also completed a lot of evolution.The Ci theory was only occasionally revealed before,at this time,many preface and postscripts of Ci appeared,that was a formal and collective declaration.The theory can be attributed to three aspects,Zunti theory,Saoqing theory and diversified style.Theory and creation are inseparable,With the distinct and systematic theory,the creation of Jiaxing CI in late Ming Dynasty had some development.Mainly reflected on correcting the carelessness of the senior Ci poets,emulating accepting SuXin style In the style of Ci,reappearing the analogy method in artistic technique,arising a new methods to express emotion implicitly.In chapter seven,the influence of Jiaxing Ci poetry in late Ming Dynasty to Zhexi-Ci school in early Qing Dynasty.When it comes to the influence of Jiaxing CI poerty in the late Ming Dynasty,it has to be extended to the early Qing Dynasty.Jiaxing Ci poetry in late Ming Dynasty was inextricably linked with Zhexi-Ci school.This chapter we takes the influence of Wang Hong,Cao Rong and Cao Erkan on Zhu Yizun to explore the relationship between the two.Cao Wang three influenced Zhu Yizun atdifferent time and different level.In these effects,Zhu Yizun's Ci inherited some Ci theory of Jiaxing Ci,at the same time,he also made a transformation of classic elegance in creative aspect.This inheritance and transformation in Zhu's specific creation traces can be observed,it was also the result of the times.