The Research Of Music Activities And The Text System Of The Qu Zi Ci Poetry In Tang And Song Dynasty

This paper aims to explore the text system of the Qu Zi Ci Poetry in Tang and Song Dynasty.because of its close relationship with music activities,my study is more from this point of view to study.The study begins with the poetry rhyme which can be divided into Five types-Flat Rhyme,Oblique Rhyme,The Conversion Rhyme of The Level and Oblique Tones,The Co-rhyme of The Level and Oblique Tones,Cross Rhyme of The Level and Oblique Tones.Three kinds behind have close relationship with the CI music.The Conversion Rhyme of The Level and Oblique Tones is also very common in poetry,so by study the rhyme type in poetry,especially in the Five-Character Poem,we can find out that it is also the result of Ci music's influence.there are the main rhyme and secondary rhyme which can change in a poem which is Cross Rhyme of The Level and Oblique Tones.Because of different social stratums,different poets have different creative attitude,ability,content and the audience whose requirements and taste are also different.So manifestations of The Co-rhyme of The Level and Oblique Tones between poets and ordinary citizens in the Ci are different.The Co-rhyme of The Level and Oblique Tones is a common phenomenon,not a diacritical mark in Ci and Qu.In the process of this study,we also analyzed some individual Ci tunes such as The Beginning of The Six States'Song,XiJiangYue etc.The third chapter of the thesis is mainly aimed at the concrete problems.Firstly we find out that the folk song has a close relationship with Jiaofang Tunes and singing poems,but not the QuZiCi.There are a lot of art activities in Jiaofang Tunes and singing poems,but less in the QuZiCi.The development and prosperity of the singing poetry is earlier than the Quzici.we also study the relationship between the singing poetry and the Quzici.The fourth chapter is the further research on the basis of the third chapter.the Quzici contains two categories:Ling tune(?)and Man tune(?)wihch co-occurred in the Music Annals of the GaoLi SHI.Ji Tune(??)-Man Tune(??)juxtaposition first appeared in Daqu(??)in Tang Dynasty.however they were not peer to peer.Ji Tune(??)-Man Tune(??)juxtaposition develop into Ling tune(?)-Man tune(?)juxtaposition in Song Dynasty.This phenomenon is the performance of changes in types of QuZiCi music and the changes in the music of the Tang and Song Dynasties.Song Ci is used in other musical activities.In the Song Dynasty,music activities are more diverse than the Tang Dynasty's.and many of them have some works handed down.So,in the fourth chapter,we combined with existing texts of a variety of musical activities to look at the system of SongCi.We solved two problems.First,oration at the beginning as a practical writing template can make only superficial changes to be used in many praise occasions such as the introduction of the birthday Ci and ShangLiangWen(???).Second,many Ci poems union only appear in a certain scale musical activities and Ci poems in the Duiwu(??),Chuanta(??),Guzici(???)are Ci poems union.The fifth chapter of the thesis studies key words and antithesis in the Ci poem.Key words were more emphasis on the role of the form of connection and antithesis had more liquidity in theCi poem.In a word,the rhyme,classification,oration at the beginning,Ci poems union,key words and antithesis all have something with music and music activities.