Research On The Inscriptions Of Shunkang And Yongqian

Brought by paintings and intervening between poems and paintings,Ci lyric for the paintings is the most reprentative embodiment for synthesizing the art of poems and paintings.Narration and intoning narration and intoning Ci lyric for the paintings are an important subject in the Ci poetry writing in Shunzhi,Kangxi,Yongzheng and Qianlong dynasty.During this period important poets in almost all involved writing Ci lyric for the paintings and most poets even focus their efforts on writing Ci lyric in paintings.Therefore,the total amount and proportion of this period of Ci poems for the paintings and its artistic quality is much better than the previous generation,and become an important characterization of Ci poems flourished again in Qing Dynasty.In this paper,Ci poems for the paintings during this period as the focus of this research and combing carefully and description objectively the development process about Ci poems for the paintings in this period based on the previous periods,by using the research method of diachronic description combined with synchronic describes,macroscopic scanning combined with microcosmic analysis.This paper is divided into seven chapters.In the introduction,the reason,present situation,significance and method of study on Ci—poems for the paintings in this period is accounted for in brief,also included defining the core concept.The first chapter mainly describes the formation and development about Ci poems for the paintings before the Qing Dynasty.Ci poems for the paintings are generated by the development and maturity of the poems for the paintings,provided the cultural and literary background for it.In Five Dynasties and Song Dynasty,Ci poems for the paintings is produced and matured;in Yuan dynasty,it achieved the further development;in the early Ming Dynasty,it maintained a momentum of development in Yuan Dynasty;in the mid Ming Dynasty it slightly appeared signs of failure;in the late Ming Dynasty,it was boomed again.The second chapter is mainly to analysis how these Ci poets for the paintings are distributed and to count the numbers of Ci poems during Shunzhi,Kangxi,Yongzheng and Qianlong dynasty.In this period,with so many Ci poets for the paintings,so many Ci poems for the paintings,and the high proportion of the total Ci poems,the previous generation can not be compared with it,and this indicates that writing Ci lyric for the painting is an important theme of Ci poetry in this period.During this period writing of Ci poems for the paintings continue and strengthen regional development trend of focusing on Jiangsu and Zhejiang area since the Ming dynasty.The vast majority of those paintings which have been written into the Ci poems in this period had been draw by Qing Dynasty painters,and it showed that how Qing Dynasty painting flourished and how Qing Dynasty Ci poets recognized and accepted,fellow painters of the day.The third chapter mainly analysis the ecological environment about Ci poems for the paintings in Shunzhi,Kangxi,Yongzheng and Qianlong dynasty.Firstly,this chapter scan on the whole view to the social atmosphere of write Ci poems for the paintings,then combining with the academic background to explore the factors of painting activity,the painting theory,artist quality and literature for the paintings influenced by this atmosphere,thus conclude the prosperous writing situation about Ci poems for the paintings affected by the cultural atmosphere in the Qing Dynasty which advocated culture,paid attention to academic research.And then consider into writing Ci poems for the paintings influenced by the factors such as frequent contacts among the scholars and flourishing comment on the paintings during this period.The fourth chapter mainly discusses the subject matter type and the mechanisms for writing Ci poems for the paintings during this period.Because of the development tendency of trade-off between various kinds of drawings,the prosperity of Ci poems in the Qing Dynasty and the Ci poetry being elevated to a higher status,the change of theme types of Ci poems for the paintings showed the trend which the ratio Ci poems for figure painting especial portrait rose sharply,the ratio Ci poems for landscape painting and flower and-bird painting fell.In Shunzhi,Kangxi,Yongzheng and Qianlong dynasty,the painters writing Ci poems for the paintings and one person writing a Ci poems for the paintings to which one or more other people reply are the two main mechanisms of the early period of the Qing Dynasty creation of Ci poems for the paintings,especially the latter reflects that the mechanism of the creation of Ci poems for the paintings in this period is different from the previous generation.The fifth chapter mainly discusses the expansion and the change of subject matter content about Ci poems for the paintings in this period.Its ideological content have made greater progress than before,describing social life on a more broader scale,expressing various feelings in more diversified ways,conveyed ideas more profoundly.Ci poems for the paintings vividly reproduced complex and delicate emotional life of the scholars in this period,a variety of mixed feelings such as patriotic feeling,kinship,love,friendship,homesickness and so on have been widely and profoundly embodied.The new changes and new bright spot have been produced by the Ci poets who paid more attentions to concern and think the women issues in their Ci poems for the painting,and it is also a subject matter expansion of Ci poems for the painting.In addition,it also showed a strong academic culture colors.The sixth chapter mainly discusses the artistic achievement and artistic innovation of Ci poems for the painting during the period.This period basically completed the artistic change from depicting the paintings to expressing feelings,and has been actively exploring literature systems and artistic forms,enriched and developed the images of Ci poems for the painting,showed the development trend of melting Knowledge into Ci poems,especially displayed outstandingly in the Ci poems for the figure paintings.The seventh chapter mainly discusses the literary significance and cultural history values.Ci poems for the painting in this period all are highlighted its unique contribution to the history of Ci poems for the painting and significance of literary history,both contribution to the ideological content expansion,or the artistic performance innovation,or the shaping of mass organizations and schools of Ci poems,the change and speed up the style of Ci poems etc.Moreover,it also has important aesthetic significance,and also provides the important reference for the history date of paintings and literary documents.