From Going Out Of The Folk To Returning To The Vernacular—Research On The Evolution Of Chinese Folk Paper-cut Arts In One Hundred Years

Over the past hundred years,Chinese folk paper-cut arts are wonderful.The great change of the farming cultural soil of the folk paper-cut arts survival,social politics,economy and culture set up a three-dimensional cultural ecology for the evolution of Chinese folk paper-cut arts,which promote the synchronous change with history.The dissertation studies the overall evolution of Chinese folk paper-cut arts by integrating literature research,field survey and image analysis.The dissertation researching throughway is to look through the evolution history,to analyze the evolution cause,to view evolution trend,to focus on the evolution experience,to distinguish the evolution problem,and makes a systematic research into the complex correlation and interaction involved in both logical and historical layers between the evolution of Chinese folk paper-cut arts and the turn of folk culture value,which will not only string scattered fragments of folk paper-cut in each period of history,but also provide a realistic context and practice reference for the development of folk paper-cut artistic in current.The evolution of Chinese folk paper-cut arts in the past hundred years and the social changes are tangled.The end of the Qing Dynasty and the beginning of the Republic of China were the times of the cultural ecology change of Chinese folk paper-cut arts.In the internal social revolution,the infiltration of foreign culture and the enlightenment of folk culture,new changes from the folk paper-cut arts living space,the beginning of the education transmission,the increasing of application carrier,and the transition of aesthetic characteristics jointly promote Chinese folk paper-cut arts to go out of the folk.In the three periods of the Yan an literature and art movement,the handicraft industry cooperation movement and the cultural revolution,the folk paper-cut arts showed a close correlation with political ideology.These changes propelled the folk paper-cut to present the realistic aesthetic,and gradually made folk paper-cut get rid of the folk culture.The development path of this excessive depending on political conscription has been stripped in the context of reform and opening up.After the reform and opening up,the traditional folk paper-cut recovery rapid.Not only did folk paper-cut arts activities develop in an all-round way,but also the aesthetic trend of traditional folk paper-cut began to return.As an artistic style,the aesthetic independence of folk paper-cut were established.Although folk paper-cut showed all flowers bloom together,folk paper-cut also showed painting tendency.The backwash from scholars reversing painting tendency briefly guarded the recovery results.With the development of the socialist market economic system gradually established,not only the folk paper-cut arts attached forming culture gradually disappeared,and also folk paper-cut arts abandoned their own cultural core in the market constantly adjustment ingratiation.In the economic inducements,folk paper-cut arts as production and con sump tion begin to be homogenous in the process of market ingratiatory.In the era of market economy,the great change of folk paper-cut culture and culture promotes its overall declining trend.In twenty-first Century,the development results of Chinese folk paper-cut arts in one hundred years are gathered here.Meanwhile,the folk paper-cut in the survival dilemma also ushered in the of intangible cultural heritage protection.Folk paper-cut art increases cultural connotation.Its aesthetic orientation is also pluralistic.In the opportunity of intangible cultural heritage protection,the folk paper-cut arts begin to reshape the culture ecology,and its value orientation is also pluralistic.To sum up,the evolution of Chinese folk paper-cut arts has gone through tortuous course from going out of the folk to returning to the vernacular.During the period,folk paper-cut arts gradually got rid of the tool existence state.This is not only the result of the internal driving power of the folk paper-cut culture,but also the embodiment of the self-confidence of folk culture.At present,the development of folk paper-cut arts should get rid of the development mode depending on external force,and follow the rule of folk cultural own development,so that it can display vigorous vitality in the natural state as far as possible.