A Study On The First Sermon Image In China And India

"The First Sermon" is the Buddha life often in the form of a story,is also an important event in the history of Buddhism.For the Buddhism,the occurrence of "The First Sermon" represents the Buddha,dhamma,and sangha,the three connection sanbao burden,the beginning of Buddhism became a religion."Beginning" of the popular and important meaning of the story,from India to central Asia,South Asia,and even the entire buddhist art in this topic has performance.At the beginning of this paper is mainly around Buddha preached the text and image as the main content of the story,and the related changes in the image of various elements such as the audience,printing and Buddha" early "to" claim "Lord Buddha change discussed in detail.Combined with the two field inspecting India buddhist heritage and many times the domestic each big grottoes acquired a lot of firsthand material,comparing domestic and foreign related research results,tries to construct the "early" theme of imaging systemFirst,comb all attempts by the "early" in the story,the story and the characters involved such as dharma,five monks,deer park at sarnath heretics and important component,round treasure,"method" and so on the discussion,analysis by the difference between the intertextuality between the image art,to establish "early"image at the same time the main constituent elements,the "early" in the classic story of records and the exact name of the "five monks" have a further discussion.Secondly,a detailed discussion of China and India related art heritage "early" image."Early" period symbol era image consists of figure of Buddha and the Buddha image appears after your frost,gupta and polo dynasty statues.Early carving,while not a Buddha image,but with falun dharma wheel or column design instead.Mainly includes three tower Sanchi Bharhut stupa and Amaravati genres and early caves carved works of art,and the new archaeological materials,connor,Kanganhallii buddhist sites of the images;After the Buddha's humanoid appearance,combing Gandhara,Mathura art,art of late caves and related performance such as the "five monks meeting" in the story,deer park at sarnath"view" image sequence,etc.Discussion and analysis of China's "early" image,involving major buddhist grottoes,monuments,statues,etc.Again,through the buddhist art sculpture "early" dharma wheel in the image,the form of a deer,attendants character configuration and the main change of the fingerprint,which discuss related problems such as the identity of the Lord Buddha,the intention of statues and the change of buddhist thought theme behind this image.On the composition,"at the beginning of" the image of the audience from worshippers to monk smell method,to serve the presence of the bodhisattva,started to follow through this dharma wheel "touch" to the fearless is printed,that change,the comparative analysis of gandhara type is printed with that special style features,the statement of the style evolution of fingerprints,the overall process of generating statement printed.At the beginning of China's "view" image from Xinjiang Yungang grottoes in early tang dynasty grand scene to Dunhuang in the five dynasties of song hua JingBian simple affiliated,is not the traditional meaning of the five monks,publicity of the significance of legal theory.These changes have showed the theravada Buddhism to mahayana thought.Finally,through the things between us in this monk and angel,and related to spread"early" like southeast Asia,with China and Pakistan border "early" paintings as the starting point,tries to explore the transmission routes between China and India Buddhism.At the same time,the deer and wild sarnath like figure with deer and wild sarnath view differences were analyzed.