The Study On Style Of Qu Yuan's Literary Works

The study on style of Qu Yuan's literary works was the study that from perspective of stylistics.Investigation of Stylistic generated in the warring states period,it is concluded that in of the warring states period,the connotation of style included at least two aspects:article category and the text characteristic.Body of the article,refers to the article categories,such as ?,?,poetry,fu,novels and so on,they have different production,and bear corresponding stylistic features;the text characteristic,refers to The specific characteristics of the text under the class of the article,it is including language,sentence,text structure and so on,such as the history of the body,ask for,Chuang Zhou fables and so on,and like ???????????? of verse,etc.Base on the understanding of stylistics,the article class of Qu Yuan's literary works including two classes,verse and Fu.In Qu Yuan's works,the same class of discourse also exist differences in text signs,reflected particularly in this verse in a class.This will require a specific chapters of Qu Yuan's works every genre style to distinguish.In Qu Yuan's verse,the protagonist of Li Sao cannot be directly as Qu Yuan,it was a character that Qu Yuan intended to set,but the one who to the west,east after a while,a moment of heaven,the ground for a while,and can meet god,was a wizard image.The creation of Li Sao was borrowed the mouth of wizard,let the wizard to speak for his expression,on the basis of visual,we considered Li was ????.Tian WEenwas created in Han north by Qu Yuan,Qu Yuan watched the political tutelage fresco of temple murals,watched fresco all sigh with emotion,created Tian Wen accordance with the figure.The order of the fresco,largely determines the content and writing order of Tian Wen,the theme of a certain extent,reflects the content of the murals.And elegantly the independence of the murals,also determines the writing of Tian Wen is different from the western epic,but a word or a few words to record one thing.We can say that the creation of Tian Wen is the first to transform draw body to style,can be identified???.The creation of nine chapter open "nine" creation in nine chapters together as a whole,in nine for the title,unique style.The Ju Song has obviously different from nine chapter other chapters in the postures,Ju Song praises the tradition Song style,is a body of variations.Qu Yuan's Jiu Ge was rewrote from Wu songs at Yuan Xiang of south Chu,after Qu Yuan's rewrite,Jiu Ge with the literati artistic thinking,though still is used to singing lyric songs,belongs to the verse category from big genre,after all,song and poem has realized long time ago.But look from the concrete poem text,Jiu Ge still has its particularity,different from the nine chapter/Li Sao and Tian Wen.In terms of Jiu Ge in a single,the rest of the chapter is duet art structure,except the ??????????,it is the factors of Wu Songs in Qu Yuan's Jiu Ge,these chapters of stage performance factor is still significant,it can be called drama style songs.From the overall of Jiu Ge,eleven chapters of Jiu Ge have complete structure,it has Qu Yuan's artistic conception,got them together like movement,and the Jiu Ge do has its musicality,so eleven chapters Jiu Ge can be regarded as the movement style song.In the FU style of Qu Yuan's literary works,Bu Ju and Yu Fu was sot ask and answer to irony,it is the first elenchus style;The description of Chu in something beauty,grand and magnificent,language elegant,laid the writing of great Fu in the Han dynasty.Liu Xie said that "People have different feelings,article varied,due to the difference of emotion and choose style,Different style form different style",Shi is style.But because of the choice of style is the result of expressing emotions will need,the formation of the style is also from emotional accumulation in the text.Li Sao,nine chapter accumulation for sadly,character style characteristic;Tian Wen show anger,alarming style characteristic;Jiu Ge show a touching style characteristic.Qu Yuan's works full of emotional,grief depression moving,grand and magnificent,the writing style was inherited and imitated widely in the later,influenced the later literary writing,including the impact on the literary creations.On the structure,the paper is divided into seven parts.We defined related concepts and stylistic research present situation and existing problems of Qu Yuan introduction part.The first chapter,we will generate the form and connotation of the style in the warring states period historical contexts,confirm the connotation of the concept of the style in the paper.The second chapter,on the basis of text characteristic,purpose and artistic conception,stylistic classification of Qu Yuan's works,introduces two kinds of style-verse and fu.The third chapter,based on the different signs of each chapter in text,distinguish the poetry of a specific genre of passages again,Li Sao was identified as??poem,Tian Wen was identified as painted body poem,nine chapter was identified as "nine" poems.Some poems such as??/???/???/???/??/???/??/?? in Jiu Ge was identified as play style songs;The whole 11 chapters of Jiu Ge was identified as the movement body.The fourth chapter,we distinguished the fu body again,Bu Ju and fishermen would be identified as ask and answer fu in order to express ambition,ZHao Hun would be identified as great Fu of depiction.Chapter 5,analysis style of Qu Yuan's works,different postures can form different style,and the different postures is originated from the need of emotional expression,Li Sao and nine chapter show sorrowful and drawn character style;Tian Wen show anger,alarming style characteristic;Jiu Ge is the style of performance for touching.The sixth chapter,the paper discussed the rheological and influence of style in the later.