| From perspective of intercultural: the human development process is also a picture ofthe human history of intercultural communication. Chinese martial arts have run the sameway. It has been a signicant real problem that faced by the martial arts is that how tounderstand the pattern of propaganda and to promote Chinese culture and martial artsintercultural exchange in today’s multi-cultural development and the great Chinese cultureoutgoing.Therefore, based on the methods including literature resources, expert advice, expertinterviews, field investigation, logical analysis and case studies, this research study in across-courses methodology, switching to the perspective of the intercultural, vision, andbilateral,utilizing the basic theory of martial arts, combining communications and relatedintercultural study of history, culture, sociology and other interdisciplinary theory.Throughthe totally seven chapters, the dissertation has combed, discussed and re-reflectedChinese martial arts, intercultural communication History and the status of Chinesemartial arts, the process of intercultural experience Chinese opera, and also proposedmartial arts intercultural approaches, principles and strategies. The implementation ofmartial arts intercultural communication in Confucius Institute is analysed as a case, andalso a new pattern, called distributing communicating on individuals, is proposed. Takingthe overall concept and systematical theory as the guide, the dissertation mainly conductsthe following aspects of an innovative attempt to interpret and draws the followingconclusions:Firstly, this study of the "martial arts style" concept creatively.Martial Arts and martial arts practicers are merged into one harmony constitute calledmartial arts body. The subject of the martial art body is the martial arts itself, the object ofis the martial arts practicer. The martial arts and the Martial Arts dialectical integration andunity.Subject determines the object of martial arts intercultural communication of foreigncontent and form, plays a gatekeeper dominant and decisive role. At the same time,subject human beings can change and innovate the object and to intersubjectivity thinkinto the main body of intercultural communication. The main subject of cross-culture isdivided into two forms and described as the communicators and the communicates. Bothcommunicators and communicates are the subject body, and they share an equalinteraction.Secondly, the concept of multiple martial arts perspective and interpretation werecompared and unscrambled.it reflects a general audience by comparing the understanding of martial artsstereotypes viewing, which resulted in a barriers of martial arts intercultural, but alsoprovides opportunities for development, these different existences of stereotypes providean important basis and reference.agenda setting conversion and distributingcommunicating on individuals.Thirdly,a two intercultural meaning that martial arts includes were proposed for thefirst time.The one is the intercultural exchange through its own martial arts innovation and change. The other is spread on foreign exchange of martial arts specific phenomena andprocesses.Fourthly, the martial arts intercultural exchange to promote their own innovation,change and enrich the content and form of martial artsThe integration of Chinese martial arts culture and the culture of the Olympic sportsspawned a new type—Competitive martial arts;the combination of Buddhist culture andChinese martial arts culture contributed to the fist Zen and Shaolin Martial Arts (ShaolinKung Fu) features; the integration of Chinese martial arts culture and Western film culturegives birth to a new type of film—Martial arts films.Martial arts culture absorption and integration from different countries at the technicallevel, system level, and values level has been done, which will inevitably produce a varietyof martial arts and even the variation of the change. Changes in the inheritance andinnovation development. It also greatly increases the impact of the international martialarts and promotes the content and form of martial arts.Fifth, the martial arts promotes intercultural communication in internationaldevelopment and has distinct era and period features.In ancient times, Chinese martial arts intercultural communication is mainly spread edtowards Japan, North Korea and other countries, and there is also a bidirectiontechnology exchange and dissemination. The exchange toke the interpersonalcommunication and technology dissemination as the most important way. Martial Arts isabsorbed and fused by the host country, and was gradually evolved to form a newmartial arts techniques, such as karate, judo, which is a significant feature of interculturalcommunication during this period.In modern times, martial arts, intercultural communication extended to neighboringcountries ranging from Asia to European countries, and began to focus on SoutheastAsian countries intercultural communication and exchange, Including a variety of ways ofinterpersonal communication, group communication, organizational communication(official), national dissemination.Martial arts community organizations, government organizations, interculturalcommunication becomes a notable feature.Organized cultural communication, mass media began to appear and got furtherattention and highlight. Martial arts community and international development began toappear. Martial Arts first started using the latest media—film to realise thecommunication. Martial arts gradually evolutes from the folkilization to the sportilization.In modern times, WuShu take on the historical responsibility and mission of publicdiplomacy, focusing on WuShu and cultural communication and mass communicationextended to five continents. NCC after the establishment of new China, a WuShuintercultural communication notable features.The competitive WuShu becomes a new type of Chinese WuShu,with it graduallybeen founded and formed. During this period the competitive WuShu and traditionalWuShu are the two different forms of foreign intercultural communication. The main formis competitive WuShu, while the traditional forms is the supplement. Theoretical study ofChinese WuShu also gradually began to enter the international intercultural era. WuShu intercultural communication greatly facilitated the development of WuShu andits international dissemination of innovations.The sixth, the success experience of intercultural experience of opera is that thesuccess of becoming one of cultural heritages of the world, the celebrity spread effect, andabsorption and integration with the European theater and symphony opera. WuShuintercultural inspiration and reference is that the attempt of becoming cultural heritages ofthe world of both ShaoLin Kung Fu and traditional WuShu should be made. To the samerooted of the WuShu, Opera’s innovative change provides a good evidence and example.Competitive WuShu as well as Symphonic Peking Opera is just a manifestation of theirown type of field, is their innovative change.The seventh, the policy of intercultural WuShuThe national consciousness of Cultural propaganda，To Increase the intensity ofWuShu Outreach，Win-win situation demands，To break the barriers, integrate theresources.The eighth, the proposed intercultural principles of WuShuOtherness principle,The principles of macro and micro parallel exchange,Theprinciple of inclusion equal exchange.The ninth, made WuShu intercultural communication strategiesGatekeeper, main body strategy,Acculturation of audience Strategy,Implementation ofthe double coding strategy,Transformation agenda setting strategy,Purpose Focuscommunication strategy.The tenth, the proposed of intercultural subjects advices... |
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