The Study On Qinjin Wushu Culture

Qinjin Wushu culture refers to the lifestyles of people who live in Qinjinregion——in general, including Shanxi Province and Shanxi Province, in whichShanxi Province referred to as "Qin", Shanxi Province, referred to as"Jin"——including local and related Wushu culture.The research on Qinjin Wushuculture will help to perfect study system of Chinese regional Wushu culture, to protectdiversity of Qinjin Wushu culture, to discover deep content of Qinjin Wushu culture,to enrich study results of Qinjin Wushu culture and promote development of QinjinWushu culture, and to create cultural environment of local economic development. Bythe methods of literature, case study, expert interviews, logical analysis, field researchand so on, this paper analyzed and demonstrated specific Qinjin Wushu culture inorder to further tap into people’s intrinsic of Qinjin Wushu culture and deepenunderstanding of culture.The structure of this paper is composed of nine parts.The first part includes research significance, research status, research contents,research ideas, research methods, main points and the research innovation.The second part, named the prosperity of Qinjin Wushu regional culture, cardsthe development history of Qinjin Wushu, counts and discussed the geographicaldistribution and source of seventy six Qinjin major boxing. From which we thoughtQinjin boxing derived from mainland, multi-domain integration, seeking outside, takealong weapons business, immigration to bring technology, occupational teaching.These ways of introductions make Qinjin Wushu culture melt into other regionalfactors of Wushu endlessly, which is one of the key factors that Qinjin Wushucultural’s duration and fashion.The third part analyzes typical boxing, mainly selecting Hong boxing TaiguXingyi boxing and Hongtong Tongbei boxing as cases, dissecting the formation anddevelopment, content system and technical characteristics, then on this basis,discussing the relationship between Qinjin typical boxing and regional culture.The fourth part interprets military Wushu culture, carves "Extraordinary Wushuof Qinjin Generals","Qinjin Romance of Tang Chao Imperial Military ExaminationSystem" and "the Interaction of Military Wushu and Civil Wushu". Then, in "QinjinMilitary Wushu Overview" narrates the long-range weapons, long weapons, shortweapons unearthed from Terracotta Army Pit.The fifth part investigates Qinjin Wushu culture of folk song-and-dance. Formedon the basis of integration of ancient music and dance, acrobatic and colorful musicand geographical and culture, Qinjin folk song-and-dance has a very rich culturalcontent. This section includes two blocks, they are "History of Tibetan scattered music variety shows in the Wushu Development Review" and "Living folk dances inthe Wushu culture out Jane", the Living Folk Dance selected Wenqu Wushu Yangko,Yuxian Wushu Festivities, Kick Drum Yangko, Bada Stick and Wuqi Tiebian Danceare selected to be analyzed involving Wushu culture.The sixth part unscrambles Qinjin Wushu culture of folk narration. Some of Folknarration in the Wushu is credibility, but many of them are fictional exaggeration.However, truthfulness or not is nothing of importance here. Based on theunderstanding of the Wushu culture authenticity but not the truthfulness of history,this section emphasizes Qinjin geographical analysis of the Wushu main types,features and cultural features of folk narrative in Qinjin region.The seventh part collates Qinjin Wushu culture in literatures. After understandingthe general Qinjin Wushu literature information, this section focuses oncomprehensive and historical analysis of media environment of birth, media form, thecontent of the spread of Wushu culture, journal and its social role according to one ofRepublic of China important Wushu journals named "Shanxi Guoshu Physical CulturePeriodical Appearing Once Every Ten Days". Then investigates the achievements andtheir historical status in of this journal in the spread of Wushu culture.The eighth part probes into mental theory of Qinjin Wushu culture, selectingtypical cases embodied "martial spirit" and "Takenori traditional" in order to highlightthe Qinjin Wushu soul. we enunciates the "Qinjin martial spirit" in military andbattlefield against Japanese. But hung from the Qinjin Wushu culture moral strengthof loyalty and boldness, respecting for the teaching profession, solving doubts withsweet temper, being modest and prudent, pursuing good and controlling evils.The ninth part is conclusion and thought. In this section, we not only try to putforward the specialty of Qinjin Wushu culture, but also summarize several majorviewpoints according to the former results:(1) The expanded seven theme of this research eloquently prove that the richnessand variety of Qinjin Wushu culture, including yesterday’s brilliant and today’sprosperity, moreover prove the profound culture of Chinese Wushu.(2) Based on folk song-and-dance and folk narration of Qinjin Wushu culture,We draw a conclusion that Qinjin Wushu culture is not only a lifestyle of Wushupractitioners, but also is the local majority of people’s way of life.(3) Due to the local Wushu culture interacting with the other regional Wushuculture and inter-pervasion between the continuous exchange process of localdifferent Wushu culture，thus Qinjin Wushu culture is a dynamic culture.(4) Regional culture has a profound impact on formation of Qinjin Wushu culturewith distinct characteristics.