The Aesthetic Characteristics Of The Middle And Lower Changjiang River Prehistoric Jades

The jade, has long been loved by Chinese as precious treasure, it has become the aesthetic object in the eyes of the primitive people from the prehistoric period, and with the level of social productive forces and human cognitive, the China prehistoric jade both in quantity, technical or content both have the development of the rich and great, which resulted in a long, colorful jade culture. The lower reaches of the Changjiang River prehistoric jade as an important part of China prehistoric jade culture, with its various types, superb technology as well as in the primitive religious ceremonial holy function and becomes a brilliant chapter in the culture development history of jade, and future generations of Chinese jade produced great and far-reaching effect.This paper is mainly to study the aesthetic aspects of the middle and lower reaches of Changjiang River prehistoric jade, it breaks through the traditional research only stay in the narrow perspective of archaeological description features on the surface of objects, but from the variety, the Changjiang River region ancient prehistoric jade refined aesthetic object clear, specific, and deep aesthetic meaning research and Analysis on the objects that contain, and has reflected the prehistoric ancestors and nature of their own unique way of thinking and the original aesthetic taste.This paper is a summary on the properties of the function evolution of prehistoric jades and jade plate between the typical characteristics and interaction, the description of the effects, highlights the prehistoric jade age style, unique aesthetic taste and the important influence on the later generations of jade carving art Chinese ring. Then from four aspects, other features in the middle and lower Changjiang River jade aesthetic decoration features, style characteristics, thinking features, aesthetic connotation of objects to form under careful research and Analysis on the profound. In the other reflects the combination of multiple image imitation, and the features like shaped; the decoration from the decorative carving techniques and permutation and combination reflects the characteristics of abstract symbols and orderly structured; in the artistic style is divided period reflects the key from the two aspects of modeling and decorative patterns and not exquisite, enigmatic and natural language features and the corresponding reflected in the materialized aesthetic connotation of form; in the thought embodies the ancients unique myth thinking, image thinking characteristics and the lower Changjiang River typical collective representation of prehistoric jade in the analysis of the aesthetic connotation, research of the Changjiang River downstream of prehistoric jades image in-depth analysis, and multi angle, explore the simple objects under contain rich spirit means with the original unique aesthetic taste, the archaeological artifacts and the art aesthetic organically, and absorb the literature, anthropology, semiotics, art, mythology, religion etc. research ideas and methods, as the aesthetic thought is rich in content Chinese traditional, and it’s important to research on the development history of aesthetics and art China aesthetic consciousness.