Investigation And Study Of Ditai Opera In Jijiaying Village

DiTai opera, also known as “Di Tai Zi” or "story play", is popular in JiJiaYing village,Linyi county, Shanxi Province as a kind of family ceremony play. It is rooted in the folk,closely integrated with the ancestor worship, religious, and attached to the lantern festivals,ancestor worship and other folk activities to bliss sons, Najib fierce drive for the purpose ofreligious worship with rich local religious color. DiTai opera play no stage performances,delimit the paddock, before the show with a series of symbolic ritual, people dressedhereditary, orchestra only in drums, cymbals hit section, unworthy stringed; actor to sing themain branch song repeatedly, talking appears only in military intelligence, heralds thegenerals and other occasions, even some plays have no talking throughout; libretto tocalligraphy like body form, occasionally adding one or two word, the basic aria is divided intocolumns, each four; concert form devided solo, duet, round singing chorus, similarthroughout. Repertoire mostly historical campaign themes, scenes of hot, fierce fighting, nofemale participation; geographical spread is limited to the guitar home village, which belongsto the family of the ritual drama, and DiTai opera is all in arms into the drama of a specialcase. The excavations carried out in DiTai opera, research, not only enrich the kind of ritualdrama, but also allows various qualities of our more comprehensive cognitive ritual drama.Preface describes the purpose and significance of the topic, the main content andinnovation of the paper. The first chapter introduced the regional situation, social cultural andreligious beliefs in ancient HeDong district, Linyi county and JiJiaYing village, points out theinfluence of the household registration system and the military system in Ming Dynasty, thesystem of Mita Local folklore environmental, social psychology, as well as to produce DiTai opera, important relationships formed. The third chapter introduces the play form of DiTaiopera, mainly in2012during the Lantern Festival, intangible cultural heritage protectioncenter, Shanxi University, Linyi County Museum Cultural joint investigation process as thebasis, comprehensive display of the DiTai opera together existing folk environment, thewhole process of real recording DiTai opera play from the preparatory to the rehearsal andperformance of the system, summarizes the form of primitive art retained in the familysacrificial drama, tries to restore the true face of the DiTai opera together, so as to reveal therelationship between ritual and drama contain each other, mutual fusion.The DiTai opera together existing repertoire of34, mostly reflect the abolition of themesin Sui Tang and Five Dynasties, there are a small number of pre Qin opera, SanGuo opera,Feng Shen opera, Shui Hu drama, ShenMo drama etc. The Codex to twine binding, singlepage double fold, with blue, yellow, lattice cloth cover packaging, wordless, lyrics are in theback of the paper writing. The fourth chapter starts from the DiTai opera content, combinedwith its form, the vocal music performance, appearance shape, the plot, story, characters,creation means the origin, characteristics and so on copies of the script for preliminary textualresearch, it reflects the thoughts of the people, social psychology and value orientation. Thefifth chapter will play the DiTai opera placed in the Yellow River basin of ritual drama in theenvironment, through a comparative study of DiTai opera and other rituals, reveal that has animpact on traditional farming culture of ritual theatre, art form of process performance in theperformance objective, aspects of the same name, and from the repertoire, the plot content,copy the libretto singing, music, role of business, musical accompaniment and so on will thebig drama the drama together with local popular--comparison of cattail drama, opera, thehistorical inheritance there was found between the three, summarizing the mature drama form’s role in the formation of the platform. Finally, in the basis, in-depth study of morphologyand function as a private family ritual drama has value and significance, as well as in Chinesedrama history, add new real case for ritual drama.