The Influence And Presentation Of Childhood Experience On Modern Writers’ Writing

The thesis mainly discusses the influence of childhood experience on modern writers’creation, with the purpose to carry out studies on embryology of modern literatures in the angle of literary psychology. The text is divided into the four chapters.The first chapters mainly includes two aspects. The first chapter focuses on the meaning generation of Chinese modern writers’ childhood experience to the art world. Examine why the Chinese modern literature could become the meaning generation period of childhood experience carefully, mainly investigate from three aspects about historical background, causes and psychology basis, further to confirm the significance of the differences between modern literature and ancient literature. In Chinese literature history, only the modern writers’ literature creation was concentrated connection with their childhood experiences closely. Writers’experience world meaning generation began in modern literature arguably. The reason is that the ideological emancipation beginning in the May4th of1919period made the creation subjects brought the psychological experience of childhood into the frame of modern ideology reference to study closely. The western humanism literature thought especially emphasize "experience" and narrative literature’s influence become deep-seated reasons which made writers’ inner experience explicit. In the angle of psychology and literary psychology, childhood as the beginning of life and the initial form of the whole life, although this process is quite short, but the subject schema and first intentional structure the formation of a writer accepted in the future eventually formed. The two will become the the starting point, which a writer observes the world, feel the life and carry on literary creation on embryology.The second chapter mainly focuses on the public resources composed writers’ childhood experience world:the geographical environment, regional culture, family environment and atmosphere of the times. These resources as spatial structure become an important aspect for reviewing writers’ creation of the creation background, the identity ancestry, cultural identity,main space form of family environment and atmosphere of the times as a writer of growth, power spectrum and mechanism problems. A writer’s success not only thanks to his talent and diligence, but also has a close relationship with the particular space-time environment. In addition, personality and literature expression are also closely linked with his particular family atmosphere and the times’ reequipments. Geographical environment, regional culture, family environment and background form the subject schema and first intentional structure the formation of a writer. A man born into his adult life is the key period for forming his personality, morality and culture. It is also an important stage for forming the deep psychological structure. Because social existence determines one’s consciousness, the specific geographical and social environment, culture, customs, the times’spirit, education will be internalized into the human mind as a symbolic way, which make an important influence on the formation of the psychological structure and construction. The life experience and rich memory accumulated during this period used to be called the childhood experience, which often naturally become the writers’ narrative resources.The third and fourth chapter mainly discusses the influence and presentation of childhood experience on the writers. Make a full review the typical writers in Chinese modern literature creation related to childhood experience consciousiy and make academic discuss in-depth. The formation of writer’s is dependent on their experiences of special artistic world. There are many ways for writers understanding the world, but the most fundamental way rooted in their early experience. So the the choice of theme, character images, aesthetic emotion expression and artistic style emerge the shadow of childhood experience. Because the difference about writers’childhood experience, the narrative perspective, narrative mode and language style are obviousiy different, so the childhood experience becomes the element causes in literary creation. This part mainly from the choice of subject, the character image, aesthetic emotion expression, narrative strategy, the formation of creation style and the literary language to discuss, make in-depth investigation and study on the typical writers affected by childhood experience, through selecting some modern famous writer, such as Lu Xun, Lao She, Shen Congwen, Ling Shuhua, Bing Xin, Ding Ling, Xiao Hong, Lu Yin, Eileen Chang, Mei Niang, Zhao Shuli and Sun Li. The traumatic psychological experience such as the declined nationa, the straitened family, died parents and lacking of maternal love become imprints engraved on their hearts. The memories not only play a very important role to their character and temperament, which have an become an important part of constructing the unique psychological structure, but also have an important influence on the aesthetic experience, aesthetic ideal and aesthetic psychology of their creation process.The key to the analysis from six aspects. In the subject choice, mainly grasp the writer’s writing of hometown, autobiographical writing and familial writing. Most of modern writers have left their native land and left their family in their teens, even from the youth. They went abroad to study, or making for a live, or exile for the war. Although they were far away from hometown as wandering strangers, they had universal love of their native land. The special identity, culture determined that they have a special complex feeling for the homeland custom, with a kind of compassion and cultural criticism. By expressing the feelings of homesickness in their works present their watch to the spiritual homeland, which is a kind of emotional comfort to childhood. Their writing constructed the spiritual home of human beings in the homeland. Writing a kind of spiritual home for them and a spiritual journey. In the May4th of1919period with publicity personality, subverting the authority and examining the male (patriarchal) culture, the relationship between the individual and history is very closed. Personal experience and family narration bore the critical function of ethics moral by history giving it. The childhood experience as looking at human beings in individual life consciousness got the highlight attention. Writers’ family narrative is closely linked to the childhood experience, which become an important reference to modern writer examing the age, family and history. Personal value and life experience had become an important dimension of modern writers. Although the family literature writings have an imprint engraved on the family in their hearts, the modern writers’ feeling,as is it were, is more subtle and complex. On the one hand, they can’t give up the attachment with their family relationship in deep feelings of the blood, kinship; on the other hand, the old family also gave them the emotional burden and spiritual shackles which they can’t get rid. In this kind of narrative, the writer actually does’t focuse on the grand historical narrative. They put the fate of the family or the characters with the national or the times together, with the fate of the family or the characters to reflect the fate of the time or the nation.Under normal circumstances, the narrative is only invisible narrative, or is a potential structure, especially in the female writers’ works. The family narrative writing much deeper than general social narrative works in the exploration of life and the characters are more typical, more stereo. Especially the family narrative literature in the Three and Forty years’ war background shown the family emotional attachment and psychological regression make the family literature narratives present the writer emotionally ambiguous attitude. On the one hand,the autobiographical works as an important part of modern writers family literature writing’s appearance is a writer’s cognition and scanning on the family under the contemporary society background; on the other hand is the literary expression of self-improvement and the examining to the origin of individual life. Theses subjects include rational critical spirit and the writers deeply attached to their family, even yearning for their childhood life. In characterization, modern writers almost have put themselves in childhood, their relatives and acquaintances into the conception category, or use them as models to create successful literary images. Modern writers through the construction of aesthetic world establish the meaning and value of self, family and the others’existence by tracing back to personal growth experience. Review society and the reality in "person" perspective at the same time, also look at themselves and others’status, function and value in the objective world. They examine and shape diverse character images. In the narrative strategies, the modern writers use different perspectives or cross, children, women and other narrative perspectives. Through childhood memories, returning to nature, the unique narrative strategy "documentary" and "fiction", the works produce extraordinary narrative function and style significance. The writers’childhood experiences are certain to leave a tremor soul memory in their tender hearts. These unforgettable memories also form a certain emotional accumulation gathered in the writer’s inner mind, thus forming a deep inner experience and become the affective tone for a writer acquired in literary creation. Modern writer’s aesthetic emotion generation in general is decided by two factors, one is the external social environment the writer lived in, the other is the psychological reaction pattern and the reaction structure formed by modern writers early life experience. That is to say, because of the writer’s early psychological schema and reaction structure, the aesthetic emotion has a basic emotional tone. As a kind of front culture structure, modern writers’ language deeply marked regional culture, to restrict the users’logical thinking and emotional orientation. The modern vernacular literary language in addition to the formation and structure of specific local language, the restriction of language skills, as well as related to the emotion, experience, feeling deep in the heart. Objectively speaking, the regional culture influences the front culture structure of the writer, and from the subjective sense, writers’ language traits are always determined by writers’ temperament and personality. The two sides make literary language into a language trial close to the origin of life beyond the public language.