Myth Research In Han Dynasty Literature

Han literature in the history of Chinese literature development serves a key role, many new changes of literature originates from the origin. There are two kinds of content are particularly reflected in the literature in the han dynasty:one for the classics, the other is the myth. Myths in han nynasty literature highlight the characteristics and charm of literature as literature itself in the process of blending and deviating with Confucian classics "quality" literature.Original myth, classical and modern myth is different state of being in the developing process of myth. Myths in han dynasty literature connect primitive myth and modern myth,is an important part of Chinese classical myths. Myths in Han dynasty literature rebuild primitive myth, and also is a new rebuilding process to the whole Han dynasty literature. It is because of myths in han dynasty literature Polish, finalize and design, Chinese myths can eventually become an important part of Chinese literature. Myths in Han dynaty literature furtherly develop the literary creation space, enrich the subject contents and the forms of literature, and even influence to the later generations way of thinking, emotion and value orientation.At present, the academic circle to the problem of the relationship between han dynasty Confucian classics and literature research, have gained fruitful results, for the myths in han dynasty literature research is relatively weak. This article is aimed at doing a relatively systematic study to explor the problem, so as to initiate somewhat to research of han dynasty literature and culture.Full text in addition to the introduction, is divided into seven chapters, the specific contents are briefly summarized as follows:In the first chapter mainly analyze the origins of han dynasty literature myth. Believes in ancient myths harmonious idea has affected the world view of han dynasty, and the theological system has produced important influences on the establishment of the han dynasty. Han dynasty inherited the classical mythology of literary history, myths, bizarre records and myths exaggerated ingredients, and widespread influence by other schools. Such as mo zi’s belief in ghosts and gods, anecdotal records,"zhuang zi" school "liezi" fictitious technique and swim fairy theme, and vertical and horizontal distance style, etc. Their view of the evolution of the myth also influenced the literature in han dynasty for the myth. In addition, the han dynasty represented by YanQi culture, WuChu culture around the mysterious culture has created a cultural atmosphere for mythological scenes in literature. While Han dynasty mysterious culture of origin has no divergence between north and south culture, mysterious culture can be traced back to the shells.In the second chapter mainly discusses the han dynasty literature myth era background. First of all, the han dynasty rulers adopted teaching means, set up in the Shinto myth as a metaphor and symbol of the unified regime and part of the cultural construction. Lots of mandate of heaven emperor myths in han dynasty, and presented with the face of the pre-qin period is very different. Dr Prophetic-mixed han dynasty Confucian classics, makes literati with prophetic-mixed reconstruct centered on "so a" god department, and promoted the prosperity of the FuRui culture in han dynasty. Dr Han dynasty literati excessively interpretate the scriptures, further promoted the process of historical myth, and its, systemize, annotation to the generation of pre-qin ancient books helped collect, conserve the myth. In addition, the immortal faith as a prevail living condation has a significant influence on literature and myths, it mainly reflected in two aspects:pursuing immortality thought and remove disaster.The third chapter illustrates the motivation and purpose of the myths in han dynasty. Thinking that it is the thriving, declining, inherited, dying cultural construction and also the elegant,curious era fashion promoted the creating of a large number of literary myth. Myth and literature mainly embodied in two aspects:chasing the ancient, praising the present and eliciting personal emotions, respectively represented by FengChan and swim.The fourth chapter analyzes the generation and mimic myths in han dynasty literature. Thinking that many trival, the temple worship and folk sacrifice provides a good opportunity to literature and myths. Under the influence of simulation of creation atmosphere of han dynasty, the creation of literatural myths promote sonme similar literature appear constantly, mainly SaoTi, rhyme prose and poems represented a myth in the mimic.The fifth chapter from the fiction and reality, perceptual and rational, literature and culture of the han literature in the myth of multidimensional review. Thinking that myths in han dynasty literature is fiction and its "factual record" spirit, promote each other, is the embodiment of the historian "lifelikeness" technique, and further affected the history of the han dynasty legend. Tendency in "seeking for novelty", under the influence of the han dynasty literary myth of the emotional expression of literature field, and embodied in the myth of "practical" principle is the return of rational spirit. In addition, the myths in han dynasty literature also affected the literary creation theme, expression, and culture.The sixth chapter analyses the development characteristics of myths in han dynasty literature and generalizes the cultural transmutation. Thinking that myths in han dynasty embodies the bidirectional interaction between myths and history, and also reflets a prophetic-mixed, secular and fairy development characteristics. And it also experiences a cultural evolution process which from the sibyl culture to the historiographer culture, from the Confucianism with the tao to take both of them.The seventh chapter discusses the han dynasty literature myth of overall influence on han dynasty literature. Thinking that myths in han dynasty literature has a significant influence on the development of the literature in han dynasty, reflects the Chinese literature from pre-qin to han dynasty plain to gorgeous, from simple to complex, from rough to perfect, mainly reflects in the popular language, the rich plotand the romantic style, etc.