Composition Ideas And Techniques Research Of Mixed Electronic-music Which In Chamber And Electronic-music Style

Strictly speaking, the mixed style of electro-acoustic music is a title that with broadly covers. Actually, the situation of the content of electro-acoustic music is always be in "mixed" since it’s combined with the music content and technique from the concrete music of France and electronic music of Cologne. During this thesis, the style of mixed is mainly point to the composition with the different kinds of medium participating, a variety of performance form that including preset part of electronic music and live performance part of instruments or other participate forms, some of that is also contain the modulation in real-time. This style is different from the pure electro-acoustic music that is totally birthed from the studio called "music of the tube". So,"mixed" is the same character of all of compositions that will be analyzed as the following. But with the same purse there are reflected in different ideas and techniques, and results out the unique music style and sounds features that are the personality of composers. As the ensemble and electronic music as the analyzed object is cause of it’s the typical style of the kind of "mixed" and with more convenient way to perform, more interesting of medium organized space and more choices of equipment operation as the favorite style to composers who want to practice and develop for.In order to explain penetration and reflection of the different composed ideas and techniques used in different creative purposes which under the macro guidance; how to achieve the multidimensional sound space under the multiple medium participating; and for further reflecting and descripting the "integration" between the different medium as a precondition in mixed style of electronic music which resulted the different artistic styles and a variety of ideas and techniques used, the author choose the following compositions:Philippe Leroux’s <Voi(rex)> and Oliver Schneller’s <Phantom Islands>. Besides this, there are three compositions such as <La disparition de l’azur> by Erik Mikael Karlsson,<Ge Diao> by An Chengbi, and <Le Mirage de Lamu> by Xu Shuya as assistant analyzed compositions to prove the issue of this thesis. That is manifestation of character and personality under the premise of "fusion".The thesis will base on the theoretical analysis platform of compositional techniques of20th century, as the hybrid electronic music creation features of the time to the21st century as the papers context, through the independent analysis of the longitudinal and comparison instructions of horizontal, combined the scores, audios, and the pictures of programing to explant the issue of this thesis.The phenomenon of analysis for electronic music works is with the characteristics of diversified and multi-angle at home and abroad, there is less of thesis that do the analysis to the status of the mixed, and the idea with "mixed". So, the discusses direction of this thesis would to fill the vacancy in this field and afford some guidance and value of reference to the electronic music composition in the future.