Local Knowledge And Modern Lyric-spirit

In this paper, using the lyrical spirit as the basic point of the study, the primary purpose is to examinemodern poetry which it had expressed complicated process, the actuation or limit. To ponder the root causeof the various state and phenomenon of the Chinese modern poetry, by analyzing the position, forcespassed, changes of the Chinese lyrical tradition that it was in the process of the development of modernliterature. Selecting a specific region, to use He-nan modern poetry as research material, precisely in orderto learn the following cases: individuals how to use the traditional experience to settle their own situation,how to use vernacular language to convey the more and more complex or unfamiliar emotional experience,how to deal with the complex relationship of times, poet, and poetry, etc. And thus to learn the hardship orsuccess which they had experienced, rethink the mechanism of modern poetry within the (even modernliterary) the mechanism.So, the paper would describe that He-nan modern poetry was under the lyrical-spindle, how to presentthe locality, modernity, ideology and abnormalities of the art, as well as which tortuous variation had beenmade by the patterns of Lyrics. Then to describe the various state and ecological status which the differentHe-nan’s poets had made by different choices under the requirements of poetic justice and revolutionarydiscourse. Then to view the gains, losses, advantages and disadvantages by learning its backgrounds ofsocial and cultural, geography, poetic, personal personal, and so on. Thirdly, to view it as a regional literaryhow to record the mental style, cultural character, life status, customs，and the impact of the social life, bydiscussing the method of expressing and transforming of the local experience. It showed that Henan poeticlyricism really was rooted in Henan local and modernity, as a red long-standing line.Followed by, it would be probe the generation and diversification of lyrical spirit from He-nan poetsXu-Yunuo, Yu-Gengyu, Su-Jinsan, and Yuxian. The unique of Xu-Yunuo’s poems was:firstly, succeedingConfucian Poetics Concept of realistic concern, he integrated the deep concern of the realism and poeticpursuit of modernist, the love and beauty, blood and tears, loneliness and dreams were all his theme, as wellas he created the banditry theme from the locality, provided an unique and authentic text world. Secondly,his language and form all reached a certain height. He used the dialect, increased the local, injected vitality for the poetry’s language, combined free verse and rhyme. In addition, Xu-Yunuo was a paradox poet.There was a lot of unconscious writing in his poems, and fulled of the language of paradox and tension.With the modernist approach to write the realism, with He-nan local knowledge to discussed thefeeling-structure’s change, and the resulting that made his early works to a noticeable existence. Thepresence of Xu-Yunuo, to show that the term of ’lyrical spirit’ was deeply rooted in the soil of real life andsociety.Yu-Gengyu was known by the ’devil poet’, his poems was showing the mixed color of aestheticism,symbolism and modernism, and fulling of the dissonance, autocratic sexual fantasies, monologue ofobsession of all sorts of modern poetry’ phenomena. But he was in an awkward position in the history ofmodern Chinese modern poetry, he was far from being consistent with the recognition of his creativeperformance. The fact would lead us to think about the poet, era,and literary field deeply. Yu-Gengyu’sexistence revealed that the lyrical-spirit of the poetry still was a subjective will of neoteric and anunconscious psychological, as well as a real aesthetic-lyrical of the modern representation for Henan’smodern poetry.Su-Jinsan was known by modern local poet known. He used the most rustic dialect to excavate thecultural value and aesthetic value of local knowledge from the most original ecological life, recorded thepoetic presence of a life-like state of the village. But when the the revolutionary discourse joining narrativemode, the lyric gradually alienated and showed a tendency to homogenization, so his modern-local poetrydid not reach a very high level. This was also the problem of modern poets widespread in He-nan: thepoems followed the pace of the revolution of the times, or only to meet the appearance of the show in reallife, rather than to dig into the truth of the survival reality and penetrate aesthetic culture deeply.Lyric modernity of He-nan’s poems finally realized truly until the emergence of the Ya-xian. In a harshpolitical atmosphere，Ya-xian made the local languages, memory and modernism or surrealism techniquestogether to create a kind of modern lyric poetry as beauty as projectile. His success lied that he faced therelations between homeland and home, the era and human nature, personal memory and collective memoryin the reflection-type attitude, to cohesion the traditional culture, local knowledge, dialects, folkand modern consciousness and extract a contemporary lyrical spirit, during the exploration of thehistorical significance of the traditional Chinese culture. To the He-nan’s modern poetry as window, derailing scrutiny He-nan modern poet how to inherit thelyrical tradition, how to response the intervention of the revolutionary discourse, and how to bear theimpact and alienation of the Diaspora, the aim was to keep a lookout that lyrical spirit had been metshocks and changes during the modern period, and thus thinking the limitations and development space ofthe contemporary He-nan poetry, as well as which questions worth considering for the modern Chinesepoetry it has provided. Let us see which new achievements the Henan poetry added in the development ofmodern Chinese poetry history, and in what kind of dimensions it was an indispensable part of modernChinese literature.