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Communicative Poetics

Posted on:2013-06-09Degree:DoctorType:Dissertation
Country:ChinaCandidate:W Y WangFull Text:PDF
GTID:1265330395987561Subject:Literature and art
Abstract/Summary:PDF Full Text Request
As a kind of popular fiction of Ming and Qing dynasties, Huaben fiction has avery complicated producing background, in addition to the objective factors,such aseconomic, the reason has a inseparable relationship with oral art which is popularfrom Song dynasty. Economic and cultural environment are the basis for the spread oforal art and its written form, but the art form of oral art plays a key role in the processof transformation from oral art to Huaben fiction. The communication characteristicsof oral art and the "write/read" communication documented reform of Huabenfictoion formed the Virtual oral art scene of Huaben fiction.Based on this, thecommunication characteristics of Huaben fiction took an impotant role on theformation of its characteristics of art and aesthetic. We can say, the the core of art andaesthetic characteristics of Huaben fiction are communication. Such characteristicsare eapressed by many factors such as story style, structure, plot, cultural narrativepattern and ideological characteristics and so on.First of all, the style of Huaben fiction is a kind of oral art form with features ofcommunication. The oral program the title, the existence state of the narrator and thenational expression characteristics of verse and statement, all of these have closerelation to the the Virtual oral art scene of Huaben fiction. And the motive power ofnarration comes from the harmonious communication between the Speaker andAudiences throughout the entire story.Second, Huaben fiction has a very unique structure mode. Such structure istaking its way under a strong theme of Advised of punishing and follows linearnarrative mode of popular novel. So we found that such kind of structure is not freeunder the control of the strong theme.No matter the singlet-line-and-seperationnarrative mode or the multi-line narrative mode will take its way to the deep themeunder the control of some catalytic events. And all the line of the story have a processof polymerization. So there are two structures of Huaben fiction, they are a kind ofnarrative structre that a single clue born more clues and then the hybridpolymerization (structure1) and multi-line-and-polymerization narrative structure(structure2). And the Catalytic events which have many influences to the process ofthe story have the function of structure. So we find that the structure mode of Huabenfiction is a kind of multiple-layered and Grid shaped structure. Structure1and2which are horizontal and the Catalytic structure which is longitudinal are controlledby the deep structure of theme. And all of these are taking their way under the Virtual “speake-listen” relationship of the Virtual oral art scene of Huaben fiction. And theCatalytic structure controls the direction of the story to be sure it goes to the deeptheme. All of these serve the aim of communication.Third, the unique plot mode of the Huaben fiction is also the communicativecharacteristics. The Chinese traditional motif types often appear in the story ofHuaben fiction and such motif has been screening during the long-term “speak/listen”and "write/read" communication. The plot of the narrative rhythm and the dramaticplot mode are also come from the built-in Virtual oral art scene and the above twocommunicative mode.Fourth, Huaben fiction shows obvious national culture characteristics and theuniqueness ideology expression of popular novels of Ming and Qing dynasties. Theculture narrative of Huaben fiction shows a wide range of folk narrativecharacteristics. Its unique exists in the concept, implements and society system and allthe cultural factors fully participate in the narrative process. And for the attitude of theculture, both the Following-type cultural narrative and adverse type cultural narrativeshow a narrative ethics attitude. And such ethics attitude constitutes both a fit and atension with the readers’ reading ethics. But the ethics attitude of Huaben fiction isambiguity because of its subculture features and so that the the author ideology, textideology and readers ideology form the communicative relationship---the maincommunicative content of the Huaben fiction.Throughout t the whole life of process of Huaben fiction, communicativecharacteristics not only are the borning characteristics but also are the art andaesthetic characteristics. And so we find that Huaben fiction has built the frameworkof communicative system under the virtual oral art scene. We name such systemcommunicative poetics system. On one hand, this paper reveals the art and aestheticcharacteristics of Huaben fiction, that is communicative characteristics, on the otherhand, from the point of view of the research methods we can find that it is veryimportant to study all the life factors of narrative works and make clear thecommunicative relationship between these factors. And this can help us find the artand aesthetic characteristics from the perspective of culture.
Keywords/Search Tags:Huaben Fiction, Art and Aesthetic, Communicative Poetics
PDF Full Text Request
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