The Avant-garde Poetry In The New Peirod Of The "Narrative" Research

The “narrative” is the most outstanding phenomenon of the Chinese vanguardpoem in1990s. But, on the current research situation for, the "narrative" has the mostdifferences in understanding, comparing with other core concepts in1990s.Therefore, this paper try to use the composite research methods with the close readingtext way and the construction of theory. Try to stereo show "narrative" poeticsoccurrence, development, the present situation of the picture, and the construction of"narrative" poetic theory connotation.The introduction part focuses on three questions. The first one of this paperintroduces cross interlanguage poetics in the practice of the "narrative". Will"narrative" in the poetics of ancient and modern, Chinese and foreign scene, anddiscusses the theory of "narrative" inheritance. The second one is the definition of theconcept of "narrative" poetics. On current academic circles of the concept of"narrative" use and understanding are in a state of disorder. Therefore this paperemphatically from the "narrative" with "state","epic" and related similar concept thanand differentiate, and will "narrative" reduction of relatively clear outline. Finally,this paper introduced the present situation of research, the research objectives andmethods. The first chapter emphatically from the point of view of vertically combed, backin the new period development more than30years to "narrative" poetics inoculation,occurrence, development and the status quo. This chapter is divided into three verses.The first section examines at the new period, to90s "narrative" wave there before tenyears in the poetry of the existence of potential "narrative" condition, and discussesits become "narrative" theory of the organization of the cause of the building. Thesecond section is from the era contexts change, with specific creation phenomenonand development of the theory, and discuss the mature of the "narrative" theory in90s poetry. The third quarter seize the new century ten years, according to "narrative"further development by the formation of the "carnival" situation do careful andgeneralization and evaluation.The second rules investigation "intellectual writing poetry in the crowd"narrative "features, and analysis "narrative" with intellectual crowd of writing poetryposition and aesthetic orientation mutual confluence and the process of creating. Thischapter is divided into three verses. The first section explores "intellectual writing""and physical property" tendencies, and the "individual" and "history" contradictionsbetween feeling and the present in the text. In the second quarter from the point ofview of intertextuality narrative, a visit to the intellectual writing the intertextualnarrative features, from inter-subjectivity of with European language reflects two show the intellectual narrative characteristics. The third quarter is focuses on"intellectual writing" poet focuses on the technical characteristics of the narrative, andfrom "dramatic role","original poetry" and "cross style writing" three aspects of itsnarrative skill of study and refining.The third rules will discuss the focus of "folk writing poetry for" narrative"crowd of exploration. This chapter is divided into three verses. The first quarter frompresentation to the content, the main analysis is the folk writing things narrationorientation, to show its civilian and bourgeois life state and spirit. The second sectionis capture "folk writing" the deconstruction narrative standpoint. From threeaspects—“the rejected by depth mode” and” emotional zero "and" extreme stylisticexperiment ", try to reveal "deconstruction sexual narrative" the cause of formation ofthe characters and style. The third quarter is about the colloquial writing Angle, andanalysis of the characteristics of its colloquial narrative writing.The fourth Chapter is from "feminist poetry" Angle, and analyses the "narrative"poetics and practice of the application of the sex of the unique color. This chapter isdivided into three parts. The first quarter is from the point of view of experiencednarrative. Due to special analysis of the way of thinking, that "feminist poetry"narrative theme and expression way more focused on the "experienced" narrativecharacteristics. The second quarter feminist poetry emphatically discussed the narrative space conversion. Since the mid80s the female poetry show the narrativespace transformation and gender psychological changes.The fifth rules and focus on the discussion "narrative" characteristics of poetictheory. This chapter on the basis of the "narrative" three poetic characteristics isdivided into three chapters. The first section explores the primary features of"narrative" poetics-" experience". The second quarter discusses the complex"narrative" poetic text, and to point out its "integrated" art characteristics. The thirdquarter with emphasis on "narrative" the happening of poetics, the relationshipbetween the subject in the objective world and text has a fundamental change.Epilogue is summarized in the paper core ideas, combed the logical frameoutside. Discussed the "narrative" poetics a series of profound poetry discoursetransformation, and along with the development of "narrative" penetrated, expressesthe respects of the poetics to be solved a series of problems.