"Research On Comic Of Chinese Animated Series"

Comic expression of animation has exceeded the general creative technique, formed the animation art unique vocabulary and expressions, and formed a unique syndrome comedy animation. The basic form of this condition has something with long-term accumulation and the creator of the long-term artistic practice and the audience viewing experience. This paper mainly consists of six parts, which of four chapters are the main part.Comedy research issues of Chinese animated series were raised in the introduction, the references at home and abroad were reviewed, and the definition of the important concept had been given. The research program of my this paper has been formulated, including the research ideas, research methods, research framework and content and innovation. The first chapter mainly includes the study animation nature of the specificity and analysis of film language and animation language system in the comic performance meas.In the second chapter, Comic characters of Chinese animated series were studied, the thesis firstly reviews the three comic image exists comedy theory, examines the comic figure in China’s animated series in the form as the theoretical basis, the three types classified and interpreted in detail. Secondly, the author found a circular figuresof Chinese animated series comic characters in weak, according to the definition of the characters in Forster novels of the character of circular and flat. Flat characters and more can be subdivided into some types, such as old urchin, entourage and fool group, etc. Flat character is more suited to shape the comic characters in this paper. Thirdly, characters of the Chinese animated series comic. The author thinks that includes appearance and spirit nationalization, ball shape and form of humor style, aesthetic orientation tend to visual style. The whole style of aesthetic characteristics shows Mix and Match.The third chapter is the analysis of comic language of Chinese animated series, which type includes regular comic language and special comic language, with the classic series Affandi story as an example to discuss several comic language skills of Chinese animated series, Wulitou is the main style. Relaxation an a wild legend is main aesthetic characteristic.The fourth chapter is the analysis on Chinese animated series comic narrative and image animation series. The two angles of narration construct the theoretical basis in this chapter. In this paper the study found there were mainly three types of the narrator comedy. The person without the presence has carried on the analysis from a painting montage and montage perspective painting in Inner Mongolia, which are mainly better used in the earlier Chinese animated series. The second is about research what, namely what comic content has presented, mainly as follows:one is the comic world, the other is the great shift of the universe generated by the new comic conflict.The fifth chapter discussed the Chinese comic situation, namely covered how to speak about the problem. The study found that the comic situation of the Chinese animated series, is essentially a mean the creator creates comic laughs. A situation set the layers of matting will be useful to realize the comic. Misunderstanding, imaginary dilemma, color conversion and Carnival are all better construction techniques. The paper believes that fragmentation has become the modern important aesthetic characteristics.The sixth chapter mainly displays in three aspects. One is to overall the characteristics of Chinese comic spirit, found the reserved and indifferent to the comic spirit, which has affected the Chinese animated series. The two is to investigate the effect of the formality of the national character of the creator, and discusses the importance of children’s thinking, and the imagination of children’s localization is critical. The three is to explore the influence of the objective environment of Chinese animated series which can be generated from two aspects, one is policy the other is market.The last is conclusion. Comic animated series in China are reviewed, and some reasons and some expression are given.