| Traditional research on Chinese TV play history is based on ideology, authors, works and social history analysis, etc., which is apt to form a study habit of focusing attention on the types of works and the evolution of themes. This has limited the choice scope of the research problem.This thesis aims at the theoretical promotion of the artistic phylogeny of TV Play. With the core of historical materialism, the physical attributes of history records are determined. The research framework consists of four aspect:concept, periodization, narration and new paradigms construction.Dissecting specific concepts which imply empirical facts and their formation mechanism, proceeding from the superficial to the profound, we can explore the interaction between history and reality. In addition to the causal logic and temporal and spatial changes, nonlinear characteristics and accidental factors on time-frequency genealogy should be emphasized. Through the analysis of historical narrative subject attributions and historical narrative form changes, we can explore the ability to explain and guide about the basic history narrative limit.Concept is the symbol of image with cultural significance, basis of stages understanding of themselves, the penetration of individual interpretation and judgment, also advocated a more organic combination of academic sensitivity and academic scientific.The theoretical paradigm emphasizes is a kind of academic vision. Create a solid application and multiple paradigm of the traditional history methodology, is an important symbol to measure the history scholars skill and ability.This paper aims to establish a new connection between the Chinese TV play and the historical facts, to expand the study of historiography view, establish a useful paradigm.From the historical research to the problem research, through revisiting and filling the gap of the theoretical paradigm, we hope that we can grasp the history evolution and development trajectory of Chinese TV drama accurately. |
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