Study On The Traditional Opera Criticism In New Period(1979-2009)

Based on ecology theory, for thirty years (1979-2009) opera criticism analyses of the major issues and combing, to draw the outline of thirty years of drama criticism and theory building of the development, on the basis of the development of opera theory indicates the future direction. Throughout thirty years of theatrical criticism development path, it is not difficult to find during the development of drama criticism and not in the vacuum condition of pure art criticism summarized, but attached to the opera art ecological conditions in the presence and expression. Can say, thirty years of theatrical criticism still does not have the initiative and prospective, showing a passive and dependent, passively by the art of opera external ecological factors restrict, depend on the opera internal ecology, especially of opera creation in view of his actual condition. This passive and dependent makes dramatic criticism is often a lack of aphasia or passive impotence. Although critics themselves for this weakness and aphasia did a lot to review, but does not alter the established phase. The article thinks, the prime cause that causes this kind of situation is the drama criticism both passive and dependent, in thirty years of drama criticism is not the art of opera is a local opera, but the overall ecological. Therefore, the theoretical circle for a variety of censure although drama criticism has" nuqibuzheng " means, but in fact there is no proven thirty years of drama criticism development of the internal driving force, it is art of their own survival and development, is the traditional ecological factors. In this sense, drama criticism of certain aspects of the weakness and aphasia was not to escape, but in a particular opera ecological conditions the helpless or game. In thirty years, drama criticism in the core of the problem is the problem of subsistence and development, all the criticism of the start point and end point are necessarily point to this core, and the survival and development of the ecological landscape is complex drama. The ecology theory into the drama criticism thirty years of development research, has the profound practical significance and more realistic direction.This paper is divided into four chapters, respectively from the external, internal ecology, ecological existence ecology, ecological form four aspects of the thirty years of dramatic criticism discourse system and influence factor, the artistic law and theoretical generalization, survival and development and system innovation, development of more and more different propositions and so on. The article concluded, political, economic, cultural and other factors are still restricted opera art development of the most important factors, and the law of artistic creation and theoretical accumulation is the basis for the development of opera, opera theatre company reform and management is the prerequisite for the development of opera art, while the new ecology form heralds the multicultural era of opera art development variety probability and non mainstream direction. Through on the drama and opera criticism thirty years relation and respective development contrail to undertake study, it is not difficult to find, thirty years of theatrical criticism effort to opera ecological requirements, hand to join the drama improved Battle Fortress, and creation, performance opera artistic practice together, with support from the new period drama art full of vigour picture. In thirty years, dramatic criticism and Chang Xian weakness and vacancy, it is not wholly to blame for the critics of dereliction of duty, but subject to the drama of various complicated factors in the helpless and retention. This is also the starting point of research and theoretical foundation.