Nanjing Government Film Policy Research In 1927-1937

From1927to1937is the Kuomintang mainland China during the period of politicalrelatively smooth period, known as the" Nanjing ten years". The ten year is also the Nanjinggovernment and the film industry in close contact with a period of time: on the one hand, thegovernment of Nanjing literature and art policy makers are to be associated with the film big orsmall as a top priority; on the other hand, Chinese movies (including China’s foreign film) in theart appearance variation change also, many from the Nanjing government’s cultural policy to findspringhead. Inquiry of early Chinese films and its inner logic sequence of events, as long aswilling to move to a few steps, we very difficult to see that the government of Nanjing activefigure. In addition, this period the Nanjing government’s policy, strengthen the film and politics, ashas been observed by a government further interventional film services management system,provides a primary standard and early model, which included the lure people committed tocontributing to this system come out right"" and" plot", but also contains the Chinese response tothis system really falls colored reaction, also contains the system’s advantages and disadvantages,merits and demerits. This will be the period of the Nanjing government film policy as the researchobject, in accordance with the diachronic and synchronic dimension, which can be divided intopreventive film policy and construction of film policy so that the two major categories, and withthe help of a historical data of and exploration, carding, presented the Nanjing governmentcensorship system evolution as well as to the establishment of state institutions, promoteeducational film movie movie of the original history, then deeply discusses Nanjing governmentfilm policy external characteristics and the internal logic. In addition, this paper also discusses indetail the Nanjing government film policy and then film and discourse in the deep, both on thefilm policy implementation of the movie industry formed by impact, assessment, and can reducethe time history of impact sound complex polysemous, inherent historical conclusion, so as todeepen our understanding of this paragraph of film history understanding. In short, Nanjinggovernment’s policy by the KMT regime ideology, Chinese movie reality situation and publicopinion demands together to build the complex historical environment. It became the constructingearly movie industry form a vital force, which we now understand the early Chinese film anoticeable historical factors. Talking about the early Chinese film creation concept, while theindustrial pattern Yixinghuanwei and even the entire film traditional evolutionary change, ifbypassing the Nanjing government’s policy, is in any case can not say clearly thoroughly.