The Novels Clothing Research Of Shanghai Enemy-occupied Areas Female Writers In1940s

In this paper, the novels clothing of Shanghai enemy-occupied area female writers as the object of study, exploring the unique writing of female writers in this period, completing a series of character costumes study, discussed in the different groups, clothing in the text of the implication, revealing the cultural psychological motivation.Where do Shanghai writer’s clothing apparel complex come from? What influence it actually produced creations in their novels? Behind the profound apparel complex, what reflected it is in this groups living state? This paper attempts to make clothing in the text as the starting point, via the research and seeking for these problems, find the key regions in the interpretation of Shanghai enemy-occupied female writers’inner world.Enemy-occupied area female writers clothing is to individual and daily in1940s, concerned about the people’s basic living conditions and life experience, not obscured by the national grand narration and ideology discourse.But sometimes being obscured does not mean that it does not exist, it is often play a role at a deeper level, like the subconscious mind.The writing of Shanghai enemy-occupied area female writers in Nineteen forties is excellent.Both Su Qing the daily dress description in unique environment of the enemy-occupied area,and there are Eileen Chang’s "Filled with odd dazzle people", this is women dress writing inherit and beyond against the nineteen thirties Meanwhile,there are students dress of "Dongwu female writers" group, this is the women pure continuation of what is seems to be interrupted in1930s.Thus, the significance of garment description is not just stay in the beautiful appearance.More is to enrich the connotation of works, is the unique expression reflecting the social life and social culture.In this paper, excepted the introduction and conclusion, it is divided into five chapters.The main work in the first chapter and the second chapter is the writer and the clothes, via combing Shanghai female writers group in1940s, to analysis clothing particular concern of Eileen Chang,"Dongwu female writers" group. In the grand narrative of modern clothing change, analyzing the causes of Shanghai female writers’ unique aesthetic concept of costume formation in nineteen forties.The third chapter and the fourth chapter is about image, studies is mainly through the literary works clothing of "Dongwu female writers" group and Eileen Chang, Su Qing. To analysis sentimental narrative of written by "Dongwu female writers" group, to analysis those inferred by clothing, such as Shanghai women、living for love、the alienation of money, lost spirit and some people firm of love, home, the ideal. Discussing the female survival plight which is based on the aesthetic narration in Eileen Chang writing and daily narration in Su Qing costumes writing.The fifth chapter is the dress "complex". It is mainly through the "Dongwu female writers" purple complex, express the girl’s love firm; Eileen Chang, Su Qing’s black widow, expressing substance money distort human nature; via the "shoes" on the expression of "sex"desire and death anxiety.The conclusion part summarizes the full text, clothing in the text as a starting point, summarizing the unique costume of Shanghai enemy-occupied area female writers in the nineteen forties, finding the women inner’world which is hidden behind the deep apparel complex, as well as the collective survival state.