The Ontology Theory Research Of Single-outline Flat-color 2D Animation

This paper seeks to build a Single-outline Flat-color 2D Animation ontology theory, which based on several related research units, such as morphological characteristics, aesthetic performance, Gestalt psychology principle and semiotic analysis of iconic sign.Introduction section defines the concept of Single-outline Flat-color 2D Animation, and gives an overview of this subject study background, related academic achievements, a brief description of the content, research method and key issues of this paper.The main part of the paper is start from the origin of the Single-outline Flat-color 2D Animation, it feature the art of painting as a theoretical premise, and to tease out the form of Single-outline Flat-color 2D Animation is directly affected by the comic art as a historical legacy. And then it goes with logical discourse by WHAT, WHY and HOW. From parsing the smallest visual element of Single-outline Flat-color static image, the study analyzed the contour lines, color blocks and so the relationship between performance and composition, as well as each visual element caused by movement and force during the frame by frame work, and explain the reason of the motion. This part gives the answer of what kind of animation form Single-outline Flat-color 2D Animation is; while in the field of psychology, the well-known theories: Gestalt and the Sense of Order, respectively, from different angles to solve why the audience can cognize, understand and appreciate the Single-outline Flat-color 2D Animation, and even demand in this art form; Finally, the research this part focus on is:through a what kind of semiotic system, we can eventually see the narrative from the Single-outline Flat-color image? And further more to find out the content creators want to express. This part is also the key and difficult problem of the full text. In order to better describe it, some text is a comparison study of the differences between Single-outline Flat-color 2D Animation and live-action film. There are three aspects concern with this study:Firstly, the semiotic characteristic of Single-outline Flat-color image and separated visual elements; secondly, based on the previous study and combination of live-action symbolic images, to study the difference between the two kinds of image structures; thirdly, to compare the different function of image codes between those two.The last part of the paper has done a historical review and outlook, rational analyze the status quo and development trend of Single-outline Flat-color 2D Animation, then put forward constructive ideas of the future development.