| There are consensus on the content of differences about Poem And Ci .Generally believe that Poem is abou the outside world on major, serious themes; On the other hand, Ci mainly reflects the inner world of personal feelings, focusing on the delicate, graceful mind. From the style point of view, there is also very clear distinction between Poem And Ci ,the so-called " Poem is serious and Ci is charming "; "Ci'body, should be subtle, the territory Poem of is wide." Su Shi's Ci is different, with his style of Poem's subject matter and the introduction of the Ci.It bings A fresh blowing of the wind, to some extent, breaking the "Ci for Yan subjects" of the fence.At the time,it is described as "the new world eyes and ears "for the later people,and also pointing out" all the way up. " There is a special relationship between Su Shi's Poem and ci, so we can compare.On the whole, there are three shortcomings about research on Su Shi's Poem And Ci: first, si a separate, isolated research, non-integrated, facility about toth of Su Shi. On Su Shi studies have increasingly intensive, but to truly integrate with the Ci is not much. The second question is: to measure with traditional Poem, Poem and Ci from the body of both style and aesthetic point of view to discuss the differences between Su Shi and others ,which is about why the Ci different, why the focus Ci in the relation and the traditional similar Poem and Ci, not from their own Poem of Su Shi, not discussion with his own Ci about the relationship between Poem and Ci.On other, Ci,is the measure of someone else's Poem to the Ci of Su Shi. The third question is the shape of the study, namely the development of mature, and most representative creative characteristics of Su Shi , did not pay attention to changes in the development of Su Shi, not Diachronic and Synchronic Study on the combination. In response to these three problems, my paper firstly come out smooth according to the time on the development of Poem and Ci;And then break the chronological order, out of timing constraints, comprehensive survey different periods of the relationship between Poem and Ci. And finally from a stylistic point of view to test between Su Shi's Poem And Ci.The second chapter is divided into four sections, to discuss the development of Su Shi's Poem and Ci during the most important four periods .Section I, we study the situation before the Hang Zhou, and in two sessions, one is southbound period, one is Fengxiang period. Content of the works during the southbound is monotonous, mainly along the true record of the calendar, which can looked as Travel Notes. Travel Notes of this period on expression is machinery, showing a basic routine: narrative plus talk, that is, from the immediate things, the scene begins, ending after the discussion. The discussion on the characteristics of Poem made vague talk, not moving, because he lacks profound insights and life experiences of living at this time.In addition to tours of this period, as recorded, there are a few sending and singing Poem category, as few people in contact with, this period Complimentary Copy, is least a period of similar themes. The number of Much excellent works in this period is small. In short, this period of Poem, the content is lacking, the performance of a single, rigid structure, and is furthest removed in the mature artistic style. The works during period of Fengxiang is rich than the south .In the same subject matter, performance is change also. Subject matter, similar and the south is a total of sixty first such works, about half of all works of this period, and the number is close, but a lot of artistic maturity. First, the extraction of work note, to avoid noting all things as the south during ,so the relatively short length in general; Secondly, in addition to outside space form of expression, reduction of empty talk, narrative plus less discussion of the structural model has emerged. Before Hang zhou, there was how many Ci, the past has been a vexed issue. What is certain that total of three previous, because the Ci is too few to compare with PoemSection II to study the Poem and Ci during the period Hang Zhou. During this stage , an important part of Poem is a political poem about the new law. Xining fourth years in June Su Shi was forced to pass sentence outside of Hangzhou, arrived before the end of the year for the sector, Su Shi's political Poem can be divided into two phases. By the end of Xining fourth years ,which reflect the current emphasis on personnel changes ,other in emphasis reflects the new law, after the inconvenience of the new law and personal dissatisfaction. Political Poem of this period is the third theme to express their inner grievances, discontent, and even complaints. Landscape, travelling Poem is an important part of the period. From an artistic perspective, compared with the edges of the political Poem ,the works of this period reflect the different styles of aesthetic characteristics. This structure of the Poem and Ci have a common tendency is that the proportion of recent growing body of Poem. The total of Ci is fifty.Their development can be further divided into two stages: Xining fifth year (1072) to Xining sixth year (1073) is the first stage, mainly for Travel Notes, this two-year term by twelve , there are at least seven of these subjects. Xining seventh year (1074) the first month to arrive in Mi Zhou in November is the second stage, this stage is mainly paid to singing ang sending works. The feature is an obvious narrative nature of both the notes from class and sing presentable, or gifts prostitute class, having an objective account of the main. From the functional point of view, the Ci of the Su Shi was a singing and sending tool. The purposes of the Su Ci during Hang zhou period is not enough to be later known as the Su Shi formed the body of different style of independence. Comparison of current Poem and Ci, we believe that: First, there are clear functional differences on the content of the Poem and Ci. Second, there are many links about the Ci of this period wifh the Poem of Hang zhou.In the third quarter ,we primarily compare Poem an Ci during Mi Zhou, Xuzhou, Huzhou periods. The theme is still the contents of the new law and individual attitudes based on the new law. In addition to reflecting on the Poem ang Ci of this great current affairs, the theme can not be ignored is turning to everyday life. The art of Poem and Ci in the new development is avoid directly exposed, become more deep; landscape emulated in art of Tang Poem, not without similarities. This period is the Ci from the theme to the style of the Su Shi, the features during this period of mutation. Hang zhou period for adventure in theme, paid gifts, chanting, presented four prostitutes, these four groups in this period in addition, there is a new phenomenon which is the tendency of secular obviously drawn a lot of daily life. The Ci during Mizhou and Xu zhou is turning to write mind of own, no longer satisfied with simply recording outside world. The Ci during these periods there are coexistences of a variety of styles. The comparison of Poem and Ci, first, the content and performance is still a clear division of labor and differences. Second, the uneven development between the Poem and Ci during this period ,which go hand in hand, and the trend over the Poem. The third tendency of this period is to everyday life, and the phenomenon of the same title, indicating the Poem and Ci began to appear among the derived cross phenomenons.Section IV is about Su Shi's Poem and Ci during the relegation Huangzhou. We relegated Huangzhou period is the peak of Su Shi Literature. The Poem is a minimum in each period, while the number of Ci as compared to the period of most. Sushi is the main terms of the whole life during Huang zhou, showing that this development momentum of the Ci ,the first time more than Shi. As Mr. Wang Shuizhao said: Writing banished feelings on the complex contradictions of life, is the main theme, so this section also analyzes the works of this period how to reflect the change in the mentality of Su Shi. Sushi in a total of five years during Huangzhou, its attitude changes in general experienced the three stages. The first phase, from YuanFeng third year from the beginning of the first month to the yellow state, survivors inevitably somewhat fortunate; disaster has just passed, its perseverance, Wu proud of efforts toward hardly cover, mainly seen in the mentality of the Poem and Ci. The second stage, from YuanFeng second years February in Dinghui Institute who resident to 29th May at the same year moved to Lin Gao Ting.Wutai poem Case impacts and the reality of the plight of their shock, loneliness,, fear is the main state of mind during this period, both reflected in the Poem and Ci.The third stage, from Yuan Feng forth year later to leave the eve of Huangzhou, SuShi gradually adapted to the relegation life, beginning the liberation of many ways, suffering from panic to get out alone , to mundane life, forgeting the gains and losses, weak fame and fortune, the formation of broad-minded outlook on life, so that SuShi'ideas and art reach a level whict few others are difficult to. Beside reflects the inner changes of SuShi,in addition to, another important feature of the subject matter, the content is to everyday life ,to further shift to the beauty of vulgar, popular for the elegance of a tendency to become more pronounced. The inner world of Poem in the show and in-depth aspects of daily life, tends to eliminate the boundaries between the two, or even reflect the Ci as the main trend of the expression vector, but we should not be overlooked point is that the division of labor between the sense of split still existst.Serious subjects are still only using Poem to performance. From the style point of view, Huang Zhou Poem is fresh, simple and natural, slightly somewhat humble straight of the gas, and close TaoYuanming's. Huangzhou is a maturity period .Su Shi's dictionary-based, representative style is set and formed in the condensate Huangzhou period. After Huangzhou, the Ci has little new development ,actually, the decline; Poem and Ci slightly different,after since in Huangzhou still growing, especially during the Ling Nan and Hai Nan, subject is further secularization, life, beauty of vulgar expression for the tendency of the most obvious Ya. Limited to the trend of the decline of the Ci, Poem and Ci after Huangzhou , the relationship is not importanas as before, there is no point for comparison, it is no longer discussed in a separate section.Chapter third contains three sections ,which test the same points between Su Shi's poem and Ci. First, from the microscopic first section and the phenomenon of level,we start with the work of Su Shi specific interaction relationship between Poem and Ci. Section II will focus on all the works, to extract same tendency from the phenomenon of co-creation between Poem and Ci: prose, discussion of, philosophy of, frequent use of allusions, daily life, secularization, the game of. Section III mainly from the theoretical level, that is dedicated to the "writing Ci by Poem" ,test the relationship between Su Shi's Poem and Ci.Chapter IV is mainly about different side of the Su Shi's Poem and Ci from the stylistic point of view. Section I, from the writing practice, we believe that Sushi's concept in style there is a clear division of consciousness. First,he choose different styles according to different objects, in particular, the main contact with men with Poem, women associated with the Ci. Secondly, in the content, subject matter, there are also division of labor. Su Shi's Poem and Ci, the absolute amount is used to sing in the part of the daily life, but beyond this, that thorn is no lack of current events, face reality, substantial and diverse forms of works, then not many Ci . Again, similar themes appear in both Poem and Ci, performance practices reflect the aesthetic styles and there are also obvious differences. Style ideas from the perspective of section II, we consider Su Shi's formation of body awareness that before Xining the Ci (music) of Su Shi is not acceptable, during Hangzhou and Huangzhou ago just look the Ci as basic lyrics. The concept of an independent style gradually formed after HuangZhou. Section III is still about the concept formation of Su Ci from the view of the relationship with women ang Ci and the spread of Ci. |
PDF Full Text Request