On Musical Fidelity And Creativity

Yin Jia Erdeng musical works from the existence of the nine aspects, demonstrated that the "original" of uncertainty. This conclusion means that "music is a faithful re-creation based on the original" this consensus questioned. I believe that, consistent with the nature of the property works under the premise of sound should be played with the "true nature" and "creativity." Rather than saying, in the true "original" based on the re-creation.The topics to Beethoven's "D Major Violin Concerto" for a specific study. The use of phenomenological theoretical results, from the phenomenological point of view to explore the "true nature" and "creative" in play in the process of formation mechanism. That the "fidelity" At the same exists in the universality, particularity, individuality three levels. Dynamic perspective, each of the works contain a correct understanding of the three levels. The essential attribute of musical works in the diachronic changes in, the fact that in itself means that music of the "creative"; with Intersubjective understanding of differences in the results generated music of the "creative"; performance of the main result of the understanding of to be specific, is generated that can make people aware of the "creative." A static look at the three levels of "creative" At the same time embodied in each of the correct sound, the dynamic perspective, "creative" in "now" to generate understanding.Loyalty and creativity in understanding the generation, mutual penetration, fusion, and are reflected in stereo.This study is not meant to music how to do "true nature" and "creative" provides a method, but try to answer the music of "fidelity" and "creative" is how the formation of this conclusion, and its effective scale, is an attempt to find, discover and understand the process of the objective laws of the theory of inquiry, that attempt to answer the music of "fidelity" and "creative" reason for existence of such a basis of facts and logic.