| The Qing Dynasty is a period that Chinese culture was synthesized and brought its highest development.The Theory of The Book of Songs also presents similar feature.Scholars living during the Qing Dynasty annotated The Book of Songs from Confuncian classics and literature angles,and achieved great successes.The research object of this paper is the literature annotation about The book of Songs during the Early and Middle Qing Dynasty.The paper is based on full and accurate data,and approaches the research object from vertical and horizontal.It has 4 chapters.The first chapter:Introduction.This chapter discusses 5 problems.1.To define the literature annotation about The Book of Songs.2.To give a brief account of the literature annotation about The Book of Songs before the Qing Dynasty.3.To give a brief account of the research present situation of the literature annotation.4.To reorganize the document forms literature annotation.5.To list main original ideas of the paper.The second chapter:The literature annotation of The Book of Songs during Early the Qing Dynasty(â… ).This chapter discusses the annontation of The Book of Songs from 1644 to Kangxi tweenty thirty year mainly.1.The literature annotation carried on any ways during the Ming Dynasty,like as,elucidating the literature nature of The Book of Songs,annotating by conjecture,discussing the ways of poems,etc.2.Practical thrend of thought began flourishing.Influenced by this phenomenon,some annotators elucidated the social function of The Book of Songs through literature way:They commended its"straightforwardly-presented"spirit of"beauty"(mei) and"sarcasm"(ci),and elaborate the didactic way to affect others with sincere feelings in the variations of the ballads (bian feng) and those of the odes (bian ya), and affirmed its frank aesthetic style,and explore the reason why The Book of Songs"may be used purposes of self-contemplation",and indicate its differences from practical writings.In a word,they are concerned about its attribute while annotating its social functions.3.To discuss literature annotation of He Yisun and Wang Chuanshan.He Yisun understood the literature nature of The Book of Songs,and thought that you would not discuss The Book of Songs with a man who only knows it is Jing not poem.He put forward annotating ways such as:to understand main content,flexible,etc.He payed attention to the decisiveness function of poets,and considered different poets would have and different express different feelings when they face the same scene.He annotated the the"dai ni"expressing way. He Yisun enriched and developed the literature annotating of The Book of Songs through his paying attention to the lyric subject which is one of the 4 essential fators of literature.He appreciated and evaluated the mood,images in The Book of Songs.He also elacidated his feelings of appreciation of the beautiful. Around the proposition that The Book of Songs describes feeling, Wang Chuanshan annotated The Book of Songs by feeling, and differentiated The Book of Songs from the Cunfucian classicses. Seeing from the angle of feeeling, Wang Chuanshan affirmed arguing poems and narrative poems in The Book of Songs, and highlighted feeling between feeeling and scene. Taking feeling as the point of departure and liason, Wang Chuanshan developed Confucious'"xing, guan,quan, yuan"accepting theory, and he regard feeling as the medium that carried out the social function of The Book of Songs. Because of correct understangding about feeling, Wang Chuanshan fully affirmed the value of love poems in The Book of Songs. In a word, feeling is the core category by which Wang Chuanshan annotated The Book of Songs. Wang Chuanshan praised highly the art style of The Book of Songs. Chuanshan appreciated the the repeatedly intoning melody aesthetic sence of The Book of Songs, and differentiated Ya and Zheng according to rhythm, and expounded the rhythm of some poems. Chuanshan appreciated and evaluated the feeling-scene description by indirect-expressing-feeling standard, and commented on art of composition, sentence structure, rhyme of some poems in The Book of Songs by thought-hiding-poems standard.The Theory of The Book of Songs and poems theory blend in Wang Chuanshan's lierature annotation.The third chapter: The literature annotation of The Book of Songs during Early the Qing Dynasty(â…¡).This chapter elaborates the literature annotation from Kangxi tweenty thirty year to Yongzheng Dynasty,During this period,some annotators payed attention to the text and seeked the main meanning of The Book of Songs:Li Guangdi adocated to chant the text.Sun Chengze advocated to return poem to poem.Zhu Heling and Chen Qiyuan elucidated main meanning and poems ways.Along with the reviving of imperical examinations,books used by people who wanted to part imperial exmination became more again.Zhao Canying's Shijing Jicheng and Jiang Wencan,Wu Quan's Shijing Zhengjie are representative works.Those works promulgate the poem meanning,and try to figure out tone and embody literature annotation flavour.Fang Bao,Chu Xin,especially Fang Bao,annotated The Book of Songs guided by rules of composition theory.The literature annotantion during this period presented more angles posture:Pu Songling,Chu Xin,Wang Fu annotated The Book of Songs by common customs,and return the real situation of The Book of Songs.Yao Jiheng,Chu Xin promulgated the resemblence between The Book of Songsand painting,such as,aesthetic interesting,reader's aesthetic feelings,and enjoy The Book of Songs by painting technique,skill.Lao Xiaoyu fulfilled his literature annotation through commenting on fushi,qouting poems activity.The idea about The Book of Songs is the fountainhead of poems developed to detailed and deep,example,Yao Jiheng asked to analyse by poems,and Tian Wen thought the Feng of Zhengguo and Weiguo as the fountainhead of erotic,etc.Yao Jiheng was the annonator who achieved great success in literature annotating The Book of Songs during this period and his work's name is Shijing Tonglun.He took up the ways to return the text,to comprehend the topic of poems,to annotate The Book of Songs by common sense,those Zhu Xi han used.He inherited Zhu Xi's idea about fu,bi,xing and drum up new way for annotating The Book of Songs from literature angle.To interprer the topic of poems by comment,is Yao Jiheng's important way to read The Book of Songs and contribution to the study of The Book of Songs.The fourth chapter:The Literature Annotation during Early and Middle Qing Dynasty Influnced on Puxue,Jiao Xun,Ma Ruichen,Dai Zhen,Mu Yingzhen,Mu Ting,etc.tried to find the thought of The Book of Songs by textual criticism.Though,some scholars opposited this way.Zhang Xu thought that The Book of Songs expresses feelings,so he asked to look after feelings by feelings.Zhang Xuecheng regard expressing feelings as the similar of The Book of Songs and other literature works.Hao Yixing was the sinologist who was successed in literature annotating The Book of Songs.Some literature crictics,like as Shen Deqian,Yuan Mei,Weng Fanggang,annotated The Book of Songs leaded on their literature theory.During this period,The Book of Songs comment which had being on the wane during the Early Qing Dynasty throved once again.The presents were Niu Yunzhen and Zhang Mengying.Cui Shu criticized Shixu and brought forward the right way to find the idea of The Book of Songs by experiencing the text.The Conclusion Part.The characteristics of literature annotation during the Early and Middle Qing Dynasty are follows:The annotation was influnebced on times science thoughts.There were many famous annotators and works.Studies of Confucian classics and literature blent together.The study of The Book of Songs and poetics blent together. |
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