On The Chinese Contemporary Poetic Theory And Criticism (1979-1999)

The Chineses contemporary poetic theory and criticisim in 1979-1999 have formed its own history by a variety of discourse practice and constructed the meanings of particular poetic writing and criticisim in the process of self-legalization. In this paper,we will concentrate on research the reality of representation and the operating pattern of various discourse practices.In the poetic criticisim history,the criticical subject roles were played by critics and poets who were the main discourse producers in public spheres and respectively construct them the culture identity of college and folk.In different stages,they considered themselves legislators or interpreters to poetry,however,their self-identity had to be restricted to the contemporary chinese power discourse,and theirs center consciousness in the social and culture fields only was ideological illusion,they had to face the fate of marginal man.Meanwhile,some concepts,such as the obscure poetry,the new poetry trend,the third generation poetry,the post-obscure poetry,the poetry in 1990s,had been created which were main concepts the poetic criticism named and interpreted different poets and writings in different periods.Therefore these poets and writings became the criticized objects,those critics and poets who created those concepts became the critical subjects.The subjects established those poets and writings the centeral position in the contemporary poetic pedigree by theoretical interpretation to those concepts.